
Mon Bijou · Flinders Lane, Melbourne VIC · Melbourne
City: Melbourne
A penthouse above Flinders Lane, a wall of roses behind the vows and St Paul’s Cathedral spires filling every window. George and Julian’s Mon Bijou wedding in the Melbourne CBD was small, bright and full of red dresses, with a ring bearer in a red bow tie and a silver and navy cake waiting by the glass. We walked them from the rooftop to Hosier Lane and the Treasury Gardens, then back up for champagne and a slow dance, and we loved every minute.






















































































































Penthouse ceremony at Mon Bijou · Rings before a rose wall · Hosier Lane street art · Elms in the Treasury Gardens · Champagne and cake upstairs · A slow dance by the glass
We arrived at Mon Bijou to find St Paul’s Cathedral filling the window, its spires rising out of the rooftops with the city towers behind. Inside, a long glass room ran towards a wall of roses, with mirrored panels across the ceiling and white chairs either side of a white aisle lined with orchids and candles. A little ‘Happily Ever After’ sign sat by a potted orchid, and the cake had its own table: three tiers coated in silver beads over a deep navy base. We always photograph these details before the first guest walks in.
Out on the terrace, George and Julian stood together beside a navy welcome sign on an easel, one in a royal blue three-piece suit, the other in charcoal with a burgundy tie. Then the guests came up the steps past the rooftop pool in a flash of red, because red was the colour of the day. A guest in a black suit arrived with a red-wrapped gift, two girls in red dresses claimed front-row seats, and two women in red slipped in beside the couple for a photo against the grey wall.
The ceremony began with the ring bearer, a boy in a black suit and red bow tie, walked down the aisle by a woman in a long red gown. Then each groom came in on the arm of a loved one in red, smiling at the guests on either side. We stood at the far end of the aisle with a longer lens, which kept us out of everyone’s way and still filled the frame with faces. When they met at the front, the look they gave each other said everything we needed.
The celebrant stood between them in front of the rose wall, and the glass walls threw soft daylight across the whole room. A flower wall is one of our favourite ceremony backdrops in a city venue: it hides the clutter, adds colour behind every face and turns even a tight crop into something lush. In the front row the ring bearer sat very still, holding the ring box on his knee, with a guest in red beside him. Then the rings went on, carefully, with every chair in the room leaning forward.
Signing happened at a white table right beside the roses, the celebrant pointing to the line while the other groom watched over his shoulder. Then the certificate came out for a proud photo with two women in red. The rose wall did the heavy lifting for the family groups, which went quickly: small groups, tight rows, everyone close. One of the grooms pulled a wide-eyed face mid-frame and we kept it. Afterwards George and Julian sat together for a quiet minute by the window, and we caught one of them in silhouette against the cathedral.
Then we took them down to the street. We walked a block through long city shadows, a stretch we kept in black and white, and turned into Hosier Lane, where every wall is covered in paint. They held hands down the cobbles, kissed against a wall of tags and stood side by side under a mural. Busy walls need a simple pose, so we kept them centred and let the colour wrap around them. Close up, we framed their hands, gold rings on, against the blue and charcoal of their jackets.
From the lane we walked hand in hand along the footpath and across a wide city street, matching each other stride for stride. The Treasury Gardens gave us the change of pace we wanted. Under the elms the light was soft and even, exactly what you want in the middle of a sunny day, and they leant into each other on a shaded path. We made one frame in black and white with the city towers rising behind the trees, then let them wander out onto the sunlit lawn, laughing, before we headed back.
Back upstairs, the glass room had been set for the celebration, and a framed portrait of a Siamese cat stood proudly on an easel by the windows, a guest of honour of sorts. Glasses went up with loved ones around the bar, then the knife went into that silver and navy cake with both of them grinning. They sat back on a white couch with champagne, and we moved along the window so the cathedral spire stood behind them, softened by a wide aperture. Our Mon Bijou wedding photos nearly all found room for that spire.
Two little guests bounced on the white couch while the music started. George and Julian danced slowly beside the cat portrait, framed by glass on three sides, with the whole city behind them. They kissed by the door, a guest in red danced with the ring bearer, and a little girl in red threw her arms around a woman in red for a long hug. We finished with a portrait of each groom alone at the window, St Paul’s behind them, and one last frame of the two of them in the glass corner.
George and Julian kept their whole day moving in a loop. Guests gathered on the rooftop terrace by the pool, then the long glass room held the vows in front of the rose wall, with the signing and family groups at the same spot. Straight after, we walked the grooms out to Hosier Lane and on to the Treasury Gardens, before heading back upstairs, where that same glass room had been turned around for champagne, cake and dancing.
It was a clear blue day, which gave us two different problems within the hour. Inside the penthouse, the glass poured daylight across the room, so we turned the grooms side-on to the windows and let the light shape their faces rather than flatten them. Out on the footpath the sun was hard and the shadows long and sharp, so we kept the street walk brisk and saved the slower portraits for shade, under the painted walls and the elm canopy.
The rose wall was our anchor for the ceremony, the signing and every family group, because it hides the room and puts colour behind each face. In Hosier Lane we found a shaded corner beside a red and blue wall, which gave the grooms soft light while the sunlit murals glowed around them. Back upstairs, the best seat in the house was the white couch in the glass corner, with the city towers on every side and the spire soft behind.
If your venue has a view like this one, plan your portraits around a window rather than a wall: we sat the grooms on the window seat and stood at an angle so the spire landed just over their shoulders. Silhouettes against the glass are easy wins too, and a raised cocktail or a cufflink check gives your hands something to do. For the walk outside, pick comfortable shoes and keep the route short enough that you are back upstairs while the champagne is still cold.