
St Sava Church · Woodville Park SA · Adelaide
Ballroom Wedding · Church & Cathedral Wedding · Cultural & Traditional Wedding · City: Adelaide · Venues: Festival Function Centre · St Sava Serbian Orthodox Church · West Lakes Shore Beach
A white tuxedo jacket waiting on a stand, jewelled crowns under a golden church ceiling and a veil wrapping round two people in the dunes. Momir and Biljana’s day ran from two family homes to a church in Woodville Park, the glasshouse at the Adelaide Botanic Garden and the sand at West Lakes Shore, then on to the reception at Festival Function Centre in Findon. We were with them from the first champagne cork to the last kiss by the sea, and it was a big, joyful, crowded day.





































































































































































Getting ready at two family homes · Floral arch at the bride’s house · Church ceremony in Woodville Park · Bicentennial Conservatory portraits · West Lakes Shore Beach · Reception at Festival Function Centre
Momir’s jacket was the first thing we saw: a white tuxedo with black satin lapels on a stand by the window, his shoes on a black plinth beside a framed family portrait. We photographed it before anyone touched it, then watched him lift it off and slip it on. A loved one in a dark suit fastened his cuffs in front of the glass door, and the groomsmen in black tuxedos took turns beside him for portraits. That timber door gave us soft light from behind, so we stood them just to one side of it.
At Biljana’s house, rose-pink balloons spelling BRIDE hung over the bed and her bridesmaids, all in lilac robes, piled onto it while a bottle of champagne popped. Biljana sat for her last touches of makeup, smiling with her eyes closed, and a bridesmaid fastened her earrings. Then the gown went on: a beaded bodice and a huge layered tulle skirt that filled the room. We caught her checking it in a tall mirror from behind, because a back view shows the shape of a skirt like that better than any front-on frame.
Family came in one by one. An older loved one took Biljana’s hand and kissed it while a woman in blue lace laughed beside them, and soon the whole room was lined up for a group. Her bridesmaids changed into blush gowns and took turns with her, one planting a kiss on her cheek. Biljana sat on a deep red sofa with her white bouquet, and the colour against all that white tulle was too good to skip. Strong colour behind a bride is our favourite way to make a white dress pop.
By early afternoon the house was overflowing. Guests packed the hallway with phones up, someone pulled Biljana into a hug at the front door, and outside a guest in a white sash waved a big flag high above the cars. A floral arch of red and white roses stood in the front yard, and the bridesmaids threw their arms up under it with their sashes on. Momir joined her in his white jacket for groups with loved ones under the arch. In the back of the car, a quick kiss on the cheek and a grin for us through the window.
The church in Woodville Park glowed with gold, painted walls and chandeliers. Two little boys in vests stood near the front holding flags, and Biljana held a candle as the ceremony began. We worked from the sides and kept our distance, using a longer lens so we could fill the frame without stepping into the aisle. For part of the ceremony Momir and Biljana wore jewelled crowns, and we stayed tight on their faces as they shared a sip from a small cup. Guests in the front rows smiled and clapped as they walked.
Family groups were made at the front of the church under the chandelier, with the gold screen behind, and the bridal party in blush and black lined up either side. Then we moved everyone outside for one huge group in front of the domed brick building, guests spilling right across the forecourt. For a crowd that size we get up high and ask the back rows to step up, so every face shows. Momir and Biljana finished with a portrait beside the long black car waiting at the kerb, the veil catching the wind.
Portraits started at the Bicentennial Conservatory in the Adelaide Botanic Garden. The bridal party marched in with flags and sashes, the bridesmaids kicked up their blush skirts, and the groomsmen strode past a rust-red wall under a deep blue sky. The conservatory’s white panels bounce light like a giant reflector, which is lovely for skin on a hot, bright afternoon. We placed Momir and Biljana small against the curving glass for one wide frame, sun flaring over the roof, then moved in close as the veil swept across the brick paving.
The last stop before the reception was the beach at West Lakes Shore. Up in the dunes the breeze grabbed Biljana’s veil and wrapped it round both of them, and we let it: wind on a beach is a gift, not a problem, if you shoot with it behind the couple. A few of these frames went black and white, foreheads together with the sea behind. Then it was off to Festival Function Centre in Findon, where these wedding photos end and the party with all those loved ones began.
The Bicentennial Conservatory was the middle stop of Momir and Biljana’s portraits, after the church in Woodville Park and before the dunes at West Lakes Shore. We spent our time outside the glasshouse rather than in the rainforest, working around its angled white panels, the curve of the glass roof, the brick paving at its foot and the tall hedges beside it. The whole bridal party came along with their flags, so the stop began with groups and finished with the two of them alone.
It was a hot, bright summer afternoon under a deep blue sky, and the white frame threw that light straight back at us. We used the glare rather than fighting it: standing the couple close to the slanting panels filled the shadows on their faces, and turning them side on kept their eyes open. For the widest frame we put the sun just over the glass roof so it flared behind them. The tall hedges nearby gave us a softer, shaded option for a running frame hand in hand.
The long brick path in front of the building was made for the veil: every gust carried it out behind Biljana, and a low angle kept the glass roof above them. Wrapping the two of them in the veil at the foot of the curving roof gave a quieter, closer set. For the bridal party, we lined everyone up small beneath the glass, then had them march arm in arm across the paving. The groomsmen got their own frames against a rust red wall and steel beams nearby, which suited the white jacket beautifully.
Allow time to walk from the cars to the conservatory, because the garden paths gave us relaxed frames of the couple on the way. On a summer afternoon, bring water and keep the bridal party in the shade between set-ups. Take the groups first while energy is high, then send everyone back to the cars and keep the couple for a little while on their own. The peaked white entrance makes a lovely closing shot as you walk out together, smiling, before heading on to the beach.