
Crown Perth · Great Eastern Hwy & Bolton Ave, Burswood WA · Perth
Ballroom Wedding · Urban City Wedding · City: Perth · Venue: Crown Perth
A veil that took off in the wind, groomsmen leaping on the riverbank with the city skyline behind them, and storm clouds rolling in right on cue for the wedding party walk. Mac and Jofil got ready at Crown Perth in Burswood, travelled out for their ceremony, then came back to the resort for portraits high above the Swan River and a reception in the ballroom. We were there with them from the first grin to the room reveal, and it was a joy.





























































Getting ready at Crown Towers · Ceremony in Jandakot · Family groups · Storm clouds at Crown · Skyline on the riverbank · Portraits up high · Ballroom reveal
Jofil’s morning was one long laugh. He got ready in a room at Crown Towers with a wall of hexagon mirrors, and his groomsmen piled in one by one in navy and blue suits, patterned ties and pale pink shirts. Every pairing turned into a new pose: a bear hug, a shared grin, a cheeky hand sign. Mirrors like those are a fun extra for groom photos, because they throw back little slices of the room and make a simple portrait feel busy and full of life. Then two loved ones joined Jofil for a portrait of their own.
Down the corridor, Mac was ready in an off-shoulder white gown with a lace overlay, and she stood between two loved ones for her first portrait of the day, smiling in front of the window. The room filled quickly. Bridesmaids in dusty pink, two flower girls in puffy pink tulle and family in their best gathered around the bed for a group frame. In a hotel room we push the furniture aside and put everyone with their backs to the wall and their faces to the window, so even a big group gets soft, clean light.
The ceremony was out in Jandakot, and the wind was waiting. As Mac stepped out of the car onto a red carpet, her long veil lifted and streamed out behind her under a blue sky full of clouds, while a bridesmaid reached to catch it. We kept shooting instead of stepping in, because a veil in the wind only gives you a second or two and never repeats. Inside, Mac’s dad walked her down the aisle between tall columns of pale blue and white flowers, her lace train and veil trailing on the carpet behind them.
After the ceremony, the groups began at the front of the room, framed by timber panelling and those two tall columns of blue and white flowers. We worked through the list one family at a time: parents, brothers and sisters, aunties and uncles, friends in pink, a cluster of little ones in front, then the bridesmaids and groomsmen. The trick with a long list is to keep the couple in the same spot and bring each group to them, so nobody walks back and forth. Mac kept the same happy smile for every single frame, which is not easy.
Outside, a sweet moment broke out in the sunshine. A loved one held up a phone so that family who could not be there could join in on a group call, their faces filling the little screen in a grid. Jofil burst out laughing with a hand over his mouth, Mac beamed, and two loved ones posed with the couple while holding the phone up proudly between them. We moved in tight on the screen and the hands around it, because those are the frames that tell everyone later who was missing and how much they were thought of.
A white stretch limousine waited outside, and we caught Mac and Jofil beside it before heading back to Crown Perth. There, the wedding party went wild on the lawn: groomsmen leaping with the bridesmaids’ bouquets, bridesmaids planting kisses on cheeks, and everyone cheering in front of the curved tower of Crown Towers. Then dark storm clouds rolled in. We crouched low and shot upwards, so the heavy grey sky filled the top of the frame while the whole party marched arm in arm towards us, laughing. Moody weather can make the best group photos of the day.
On the riverbank the clouds broke, and the Perth skyline stood up clear across the water. We lined the wedding party along the path for a classic frame, then asked them to jump, and they went for it, arms and legs everywhere. Then it was just Mac and Jofil, walking along the grass with the city behind them, Mac holding up her skirt and Jofil leaning in for a kiss. For a skyline frame we step well back and use a longer lens, which pulls the city closer so the towers stand tall behind the couple.
Up inside the hotel, we found a quieter mood. Mac’s invitation and ring sat among white flowers and blue thistles, ready for a detail frame. Then we used the glass: Jofil kissed Mac’s forehead with their reflection doubled beside them, and we photographed Mac alone on a high balcony with the parklands and river stretched out below. Through a pane of glass, the two of them became a soft silhouette against the city towers. Jofil celebrated with a fist pump in the corridor, laughed until he had to cover his face, and twirled Mac by the window.
Our last portrait spot was a pale feature wall with timber sconces and hanging greenery, which gave the whole wedding party a clean, bright backdrop. The flower girls stood proudly in front of Mac and Jofil, and then the groomsmen picked Mac up and held her sideways across their arms while she laughed. Then came the room reveal: the ballroom stage set with white flowers and a J and M monogram, and Mac and Jofil standing in front of it before a single guest walked in. Crown Perth wedding photos rarely get a quieter, happier moment than that.
Mac and Jofil started their day in rooms at Crown Towers, travelled out to Jandakot for the ceremony, then returned to the resort for everything else. That loop shaped our afternoon. Back at Crown we began on the lawn under the curved tower, walked the bridal party down to the riverbank path, then headed up inside the hotel for quieter couple portraits on a high balcony and along a glass corridor. A pale feature wall with timber sconces took the last groups, and the evening opened with the ballroom reveal.
The afternoon gave us dark storm clouds over the lawn and then, a short walk later, a clear skyline across the Swan. Heavy cloud is wonderful for a lively group, because it adds drama without blowing out the white dresses, so we worked quickly while it lasted. The wind was part of the day too: it caught Mac's veil at the car and lifted her lace train on the riverbank, and we let it move rather than pinning everything down.
The lawn below Crown Towers puts that tall curve of glass behind a wedding party, which instantly tells you where you are. On the riverbank path the city lines up across the water, perfect for a jump with the whole bridal party. Up inside, the glass gave us doubled reflections and a soft silhouette of the two of them against the towers, while the hexagon mirrors in Jofil's room had already given his groomsmen a playful backdrop that morning. The sconce wall with hanging greenery was bright and even for big groups.
When the ceremony is away from Crown, build in a short pause on your return so hair, veil and makeup can be refreshed before portraits. Ask your bridal party to stay together as one group from the car to the lawn, which keeps the afternoon flowing. And ask your stylist to finish the room a little early so you can have a few quiet minutes alone in the ballroom before guests come in; standing together in front of the monogram stage gave Mac and Jofil one of the gentlest frames of their day.