
St Ignatius · Sydney
Church & Cathedral Wedding · City: Sydney
Ivory silk and an embroidered veil against a teal wall, umbrellas up for a big family photo outside the chapel, and spark fountains for a dance entrance by the harbour. Dominic and Sanjula married at St Ignatius’ College, Riverview, on Sydney’s Lower North Shore, ducked into the sandstone arcades for portraits when the rain came, then celebrated at Doltone House Jones Bay Wharf. We loved every colourful, joyful minute of it.
























































































Getting ready at home · Groomsmen in the Riverview cloisters · Ceremony in the Dalton Memorial Chapel · Umbrella group photo · Arcade portraits in the rain · Reception at Doltone House Jones Bay Wharf
Sanjula’s morning was full of colour. She got ready at home in ivory and gold silk, a sheer veil embroidered with tiny gold flowers draped over her hair, and a deep teal wall behind her that made every frame glow. A loved one in emerald and gold stepped in to settle the veil while Sanjula held her bouquet of white roses and eucalyptus. Then we stood her in front of a tall black mirror, and she lifted the veil out wide like wings. A strong wall colour is a gift at home: it gives skin warmth and turns a simple portrait into something rich.
Just before it was time to go, the same loved one cupped Sanjula’s face in her hands and pulled her close, and we caught it from a few steps away so the moment stayed private. Then the bridesmaids joined her in a room with deep red walls, a gilt mirror, a chandelier and an old grandfather clock: one in blush pink, one in emerald green, with bouquets to match Sanjula’s. A flower girl in white tulle and a page boy in a tiny tuxedo posed in front of them, very serious, for about three seconds.
Over at Riverview, Dominic and his groomsmen waited on the lawn of a sandstone courtyard, framed by long arches and a tree in pink flower. Dominic wore a black high-collared jacket with gold buttons, and his friends were in classic black tuxedos. We walked him into the arcade next and sat him on the sill between two sandstone columns, the long line of arches running away behind him. Covered walkways like these are our favourite groom spot on a grey day: the light comes in from one side only, which shapes a face beautifully.
Inside the Dalton Memorial Chapel, white walls, timber pews and stained glass made a bright, gentle room even under cloud. The flower girl and page boy led the way down the aisle, earning smiles from every row. Dominic waited at the front with his groomsmen, and Sanjula arrived beside him, her embroidered veil catching the light from the windows. We worked from a low angle behind her as she reached him, so his face is the first thing you see, framed by the edge of her veil. That reaction is the frame couples come back to most.
The ceremony was full of happy faces. Loved ones in bright pink, red and green silk leaned forward in the pews, phones up, and an older guest beamed through the whole thing. Dominic and Sanjula sat side by side at the front for part of the ceremony, hands folded, her bouquet resting in her lap. Then came the kiss, the bridesmaids clapping on one side and a groomsman cheering on the other, while the guests applauded from the pews. In a chapel this size we move quietly along the side aisle, which keeps us out of the way and close to the faces.
Dominic and Sanjula walked back up the aisle grinning, guests reaching out from both sides, and the congratulations started the moment they stepped outside. Then the rain arrived. Nobody minded: umbrellas went up in every colour and everyone crowded onto the forecourt in front of the red-brick chapel for one big group photo. We climbed up high and shot down over the crowd, which is the best way to see every face in a group that size, and the umbrellas ended up being the best part of the frame. The flower girl and page boy stood right at the front.
To keep everyone dry, we moved the family photos into the long sandstone arcade. It made a perfect studio: a covered walkway with honey-coloured brick, a timber door at one end and soft daylight from the open side. Dominic and Sanjula stood with loved ones in deep red, emerald, coral and navy, one group after another, then the whole extended family packed in for a big frame that ran the length of the arches. For a crowd in a narrow space we shoot along the walkway rather than across it, so everyone fits and the arches lead the eye.
When the rain eased, we took Dominic and Sanjula out for portraits. Under a tree in pink flower, she rested her head on his shoulder, and he leant in to kiss her forehead. They walked hand in hand through the quad, laughing, then Sanjula twirled on the wet paving with the old sandstone buildings rising behind her, and Dominic dipped her low. Wet ground after rain is underrated: it adds a soft sheen and reflections that dry paving never gives. We finished with them coming down a set of sandstone steps, Sanjula holding up her silk with a smile.
By night the party had moved to Doltone House Jones Bay Wharf, where a wall of red and white roses and dozens of candles framed the couple’s monogram. Sanjula changed into a bright orange and gold outfit, and their dance entrance came with two spark fountains blazing on either side of a black and white patterned floor. Loved ones of every age joined in, one dancer hit the floor in a memorable move, and the dancing never really stopped. Our St Ignatius wedding photos started in silk and sandstone and finished in sparks, and we loved all of it.
Dominic and his groomsmen were already on the courtyard lawn before the ceremony, so we made their portraits under the arches and beside the tree in pink flower while guests arrived. The vows took place inside the Dalton Memorial Chapel, and afterwards everyone spilled out onto the forecourt in front of its red brick face. From there the family groups moved only a few steps into the covered arcade, and the couple portraits followed across the quad and down the sandstone steps before a vintage car carried them off to Doltone House in Pyrmont.
Rain arrived just as the newlyweds came outside, and it shaped everything that followed. Instead of sending people indoors, we kept them on the forecourt under their umbrellas and climbed above the crowd for one big frame, letting all those colours do the decorating. The cloud cover kept the chapel light soft too, with the stained glass glowing rather than burning out. When the showers eased, the paving stayed dark and shiny, which gave the later portraits a lovely gloss underfoot.
The arcade was the workhorse of the afternoon. With an open side letting in daylight and honey brick behind, it handled small family groups first and then the whole extended family in one long line. For Dominic’s solo frames we used the brick pillars, with the run of arches receding behind him. Out in the open, the blossom tree gave a softer corner for forehead kisses, the wet quad held the twirl and the dip, and the worn sandstone steps made a natural finish as Sanjula lifted her silk.
Pack a few bright umbrellas and hand them out rather than hiding from the rain; here they became the best part of the big group shot. Keep the list of family groups short and ready to call, because shifting everyone under cover takes a little while and nobody wants to stand around in the wet. Choose shoes that grip on damp stone. Then leave some slack after the groups, so that if the clouds break you can step straight back out for portraits the moment the rain stops.