
Encore St Kilda Beach · 10/18 Jacka Blvd, St Kilda VIC · Melbourne
Beach Wedding · Church & Cathedral Wedding · Waterside Wedding · Region: VIC - St Kilda · City: Melbourne · Venues: Encore St Kilda Beach · Immaculate Conception Church, Hawthorn · St Kilda Botanical Gardens
A soaring Gothic church in Hawthorn, a white stretch limo, bridesmaids in gold satin under tall palms and then every single guest crowded onto the boardwalk with the bay behind them. Sharon and Daniel’s summer wedding ended at Encore St Kilda Beach, where the evening light over the water turned soft and pearly for their portraits before the reception carried on inside. From the first look down the red carpet to that last lift by the sea, we loved every minute.














































































Ceremony at Immaculate Conception Church, Hawthorn · Family groups under the vine pergola · Stretch limo · Palms and glasshouse at St Kilda Botanical Gardens · Sunset on the boardwalk · Reception at Encore St Kilda Beach
We picked up Sharon and Daniel’s day inside Immaculate Conception Church in Hawthorn, where Daniel stood at the top of the red carpet in a black tuxedo with his groomsmen in navy beside him. The church is all pointed arches, painted columns and stained glass, so we started wide from the back to show the whole height of the nave. Churches this tall can feel dim, but the pale walls bounce plenty of light around, which let us keep the colours true and the faces bright without any flash.
Sharon came down the aisle on her dad’s arm, carrying a round bouquet of white roses, past pews tied with baby’s breath and guests with their phones up. We framed the walk from the front, then turned straight to Daniel, and it paid off: as Sharon reached him, Daniel turned with the biggest smile, and she peeked back at him through her veil. A groom’s face in that moment is the one frame couples ask about most, and it lasts all of two seconds.
Three loved ones read, one after the other, and in the pews an older guest followed along on the printed order of service. From the back we caught the whole scene in one frame: the bridesmaids in gold satin on one side, the groomsmen in navy on the other, and Sharon and Daniel facing each other on the red steps under the stained glass. Then we moved in close for their hands joined during the vows, with Sharon’s lace and the soft edge of her veil filling the frame.
The kiss brought the whole church to its feet clapping, groomsmen included. At the signing table, under the stained glass, the bridal party lined up on either side for a symmetrical frame that suits this church perfectly, everything balanced around the centre aisle. Then came the walk back down the red carpet. Recessionals are one of our favourite moments to photograph because nobody is posing: Sharon and Daniel laughed all the way, guests reached out from the pews, and phones went up on both sides.
At the church door, before stepping outside, Sharon and Daniel stopped for a kiss framed by the arched doorway, and we kept that one in black and white so the white gown and the bright doorway did all the talking. Outside, the dark stone church with its tall spire made a grand backdrop, so we gathered every guest on the footpath and the steps for one big crowd photo, arms in the air. Getting everyone in early, while they are all still there, is the easiest way to make sure nobody is missed.
For family photos we moved to a timber pergola draped in green vines beside the church, on a flagstone floor. It was an overcast summer day, and the leafy roof softened the light even further, so nobody squinted and the greens stayed rich. We worked through the families in quick succession: big family groups first, then smaller ones, little ones in white dresses and tiny suits, then friends in twos and threes. A good shot list and a loud helper make this part fly.
The bridal party lined up beside a white stretch limo in front of the church, then piled in for the drive south to St Kilda Botanical Gardens. The palm avenue there is made for a wedding party: a straight gravel path, tall palms on both sides and enough width for everyone in one row. The bridesmaids in gold satin gathered around Sharon and threw their bouquets high, the groomsmen in navy lined up with Daniel, and then the two groups merged and walked towards us in one long, laughing line.
Daniel swept Sharon off her feet on the path, her tulle train flying, and then we found them a shadier spot under the long, low branch of an old tree, standing on a carpet of fallen leaves. After that it was into the conservatory, where palms and ferns grow right up to the glass roof. Inside, the light is soft and green and the plants frame the couple naturally, so we shot through the leaves to put a little foreground blur at the edge of the frame. Daniel kissed Sharon’s forehead among the ferns.
At Encore St Kilda Beach, the evening sky over Port Phillip had turned soft and pearly with a low band of cloud along the horizon. We took Sharon and Daniel out to the timber boardwalk, where Daniel lifted her with the waves rolling in behind and the sea breeze catching her veil. Then every guest came out to join them for one huge group photo on the boardwalk, the bay behind and arms up across the back rows. After that, everyone headed inside for the rest of the reception.
Sharon and Daniel’s day began at a church in Hawthorn and moved on to the palms and glasshouse of St Kilda Botanical Gardens, so Encore was the final stop and the place where everyone came together. Once the guests had arrived, we used the timber boardwalk right outside for two things: a short couple portrait beside the waves, then one huge group photo with every guest and the bay behind. After that, the party moved indoors for the rest of the reception.
The whole day stayed overcast, and by evening the sky over the bay was a soft grey with a line of cloud sitting low on the horizon. That worked in our favour. There was no hard sun to squint into, the background stayed calm and pale behind the couple, and skin looked smooth and even in every frame. The breeze off the water was up as well, so Sharon’s veil and tulle kept moving on their own without any help from us.
For the lift, we kept Sharon and Daniel square to the water with the waves rolling in behind them, so the frame read as beach and bay. Cheek to cheek frames came next, with the breeze carrying her veil across them. For the group, we asked the back rows to throw their arms up, which lifts the energy and fills the frame edge to edge above the shoreline. A long timber boardwalk suits a crowd because everyone can stand on one level with the bay behind them.
If your day starts inland, as Sharon and Daniel’s did, keep the garden portraits for the middle of the afternoon and save the bay for the evening, when the light over the water softens. Ask for the whole guest photo the moment everyone reaches Encore, before people settle at their tables and drift off. And do not worry about a grey sky here: the overcast evening over the water flattered Sharon and Daniel more than bright sun would have.