
Fenix Events · Richmond VIC · Melbourne
Urban City Wedding · Waterside Wedding · City: Melbourne · Venues: Fenix Events · Old Treasury Building
A first look on a sunny front deck, a long veil trailing across the lawn under the plane trees, then vows on a deck above the river beneath an arch of pink and white roses. Shirley and Darren’s Richmond wedding at Fenix Events ran as one long, happy lunch by the Yarra, with a first dance on a cloud of fog, and finished with a late afternoon walk through the city, the veil flying past old stone. We were there for every laugh.












































































Getting ready at home · First look on the front deck · Carlton Gardens and the Royal Exhibition Building · Riverside ceremony at Fenix Events · Lunch reception upstairs · Old Treasury Building portraits
Our morning with Shirley started with the details laid out on a stone bench: watercolour-flower invitations, a fine necklace, drop earrings, the rings in their boxes, a bottle of perfume and Darren’s lilac boutonniere. Her nude studded heels went onto a white wire chair in the garden, with pink flowers blurred in front. We always gather the small things while the house is still calm, because once the dress goes on nobody has time to think about where the earrings are.
Inside, Shirley stood in a sheer robe looking up at her gown hanging in the window, a fitted lace bodice and tiers of white flaring towards the floor. A bridesmaid in blush fastened her necklace, and then two loved ones lifted the long veil and lowered it gently over her face while she sat holding her bouquet of pink and lilac roses. We stayed low and close for that one, so the veil sat between us and her face like a soft filter, with the window light glowing through the tulle.
We kept one quiet frame in black and white: Shirley by the window with her hand raised to the edge of her veil and her bouquet in her lap. Then the laughter started again, with Shirley and her bridesmaid hugging, bouquets pressed together. The room had one tall window and warm timber floors, which gave us gentle side light from one direction and a warm bounce from below. Shirley turned on the spot and the cathedral veil swept out across the boards behind her, the perfect last frame before she went out to meet Darren.
Darren was waiting on the front deck of the weatherboard house in a navy dinner suit. Shirley stepped out behind him, and when he turned around his face said everything. First looks give couples a private moment before the busy part of the day, and for us they mean real reactions in good light rather than at the end of an aisle. Afterwards Shirley fixed his boutonniere, and the pair of them stood laughing together on the deck before heading into the city for portraits while the morning light was still soft.
At Carlton Gardens we walked them down the long avenue of plane trees, where the canopy meets overhead like a green tunnel. On an overcast morning that canopy keeps the light even, so we could shoot in any direction. Shirley’s veil stretched metres behind her on the grass, and from the far end of the avenue the couple looked tiny under the trees, which is exactly the scale we wanted. Our wide frame of the morning has them kissing in front of the Exhibition Fountain, with the Royal Exhibition Building’s dome rising behind.
Back at Fenix Events, the ceremony was set up on the outdoor deck, with gum trees and the Yarra below the glass balustrade and an arch of pink and white roses at the front. Darren waited in navy with his best man while older guests filled the front row in their finest. Shirley walked in, the celebrant began, and the couple held hands under the arch. When it was done, a loved one at the front threw a fist in the air with the biggest grin, and the bridesmaid in blush could not stop laughing.
Shirley signed with her veil spilling over the white table, and we moved in tight on their joined hands, rings and the certificate, pink roses soft in the foreground. Family gathered around the table for the formal signing frame. Then everyone came out for the full group photo on the garden staircase beside the venue. We shot from high up the steps so every face could be seen, from the grandparents in the front row to the friends waving at the very back. With about 165 guests, height is the only way to fit everyone in.
Next came a long run of family and friend groups in front of the rose arch, one after another, each with the river trees behind. Then lunch began upstairs. The bridal party danced in past two white blossom trees, the best man high-kicking his way through the door, and the couple toasted with champagne at a table of pink roses in front of the glass. For the first dance, Shirley changed into a lighter lace gown, and Darren spun her across a floor covered in low fog while the guests watched from their tables.
In the late afternoon we took Shirley and Darren up to Spring Street. The sun was low and behind them, so we turned them towards it at a fountain near Parliament and let it light the edges of the veil while Darren kissed her cheek. At the Old Treasury Building the breeze took the veil and stretched it right across the forecourt, and we caught them kissing with metres of tulle floating beside them. A black and white frame among the old cast iron lamps, then one last kiss on the street with the veil wrapped around them both.
Shirley and Darren used Fenix for the middle of their day and the city for both ends. After the morning at home and in Carlton Gardens, everyone came together on the outdoor deck for the vows under the rose arch, signed at a white table right there, then crowded onto the garden staircase beside the building for the big group. Family groups ran straight on in front of the arch before guests headed upstairs for lunch. Late in the afternoon we slipped away with the couple for portraits around Spring Street and the Old Treasury Building.
The light changed in our favour as the day went on. Carlton Gardens was soft and grey in the morning, so we could shoot that long veil from any side without losing detail in the tulle. On the deck, the gums on the slope below the balustrade kept the background green, and during lunch the river trees glowed through the glass behind the head table. By late afternoon the sun was low and bright, perfect for turning the couple into it and letting the edges of the veil light up.
For the vows we stood square to the rose arch, so the couple and the gum trees falling away to the river sat in one clean frame. For the full group we went high up the garden staircase, which is the only way every face reads, from the front row to the friends waving at the back. Upstairs, the fog on the dance floor did half the work as Darren spun Shirley in her lighter lace gown. In the city, the Old Treasury forecourt let the breeze carry the veil sideways while we stood off to one side to catch its full length.
A late morning ceremony and a lunch reception leave the sweetest light free once the party winds down, so consider saving your city stop for the end rather than squeezing it in before the vows. Choose a long veil only if you are happy for it to have a mind of its own on a breezy afternoon; Shirley’s gave us some of our favourite frames. And with a big crowd, have your list of family groups written up before the day, so the rotation in front of the arch keeps moving while lunch waits upstairs.