Glen Erin at Lancefield wedding photos: the couple embrace on the grass beside a still pond that mirrors them, vineyard and trees behind, Macedon Ranges
Home/Weddings/Glen Erin at Lancefield, Lancefield
Real winery wedding · Lancefield, Melbourne

Glen Erin at Lancefield Wedding Photos: Satin by the Vines

Glen Erin at Lancefield · Lancefield VIC · Melbourne

Mountain Wedding · Winery & Vineyard Wedding · Region: VIC - Macedon Ranges · City: Melbourne · Venue: Glen Erin at Lancefield

Ivory satin at a tall homestead window, a green arch above the vines and a veil that took off in the breeze out on the lake jetty. This Glen Erin at Lancefield wedding kept everything on one Macedon Ranges property, from the bride’s bedroom to a reception under a draped pink and white ceiling. We loved the high kicks on the dance floor, the laughter through the speeches and the bride and groom stealing quiet moments against old timber walls.

The gallery
A loved one checks the last pins in the bride's swept-up dark curls inside the homestead of a Macedon Ranges winery.
The bride stands in ivory satin at a tall window of Glen Erin Homestead, her long train pooling across the carpet.
Window light runs along the satin folds as the bride glances down at her ring, her veil draped over one shoulder.
A wall mirror gives a second view of the bride standing at the tall curtained window, hands together at her neckline.
Reflected in a mirror against a deep blue wall, the bride laughs on the bed with a loved one in a black dress.
Two loved ones keep the bride company by a window onto the iron lace verandah of the historic homestead in the Macedon Ranges.
The bride sits silhouetted against a bright bedroom window, her satin gown spilling off the bed into the dark.
A tall arch of greenery and an urn of white flowers stand on the timber deck at the vineyard's edge at Glen Erin at Lancefield.
Her dad hands the bride over at the arch while the groom grins over his shoulder, his groomsmen waiting on the winery deck.
Bridesmaids and groomsmen flank the couple at the arch in black and white, a ceremony above the vineyard in the mountain foothills.
Bridesmaids watch with orange bouquets, hands join over a black folder and an older guest in a red bow tie looks on proudly.
Seen through soft grass, the bride beams up at the groom during the vows, a bridesmaid in chocolate brown behind her.
Guests raise their cameras around the signing table at the winery as the couple share a kiss, caught in black and white.
The groom kisses the bride in a grassy row between the vines at Glen Erin Vineyard, her long veil trailing on the lawn.
Bridesmaids in chocolate brown gather around the smiling bride and her white cascading bouquet by the timber lodge on the mountain estate.
The bride stands under the green arch at Glen Erin with two bridesmaids on each side, the winery vines stretching behind.
Groomsmen in sunglasses stroll across the lawn with drinks in hand, the low Macedon Ranges sun stretching their shadows long.
The bride perches on the groom's knee on a timber bench against a weatherboard wall of the mountain retreat, the bridal party at the edges.
Sun flares through a big old tree as the bride smiles back at the groom leaning on a timber cabin at Glen Erin Lancefield.
Leaning close against the old timber wall, the couple share a quiet look in black and white as sunlight flares through the lattice.
The bride rests a hand on an old wagon wheel under a stand of trees at the mountain winery, her cascading bouquet at her side.
The bride and groom kiss beside the wagon wheel, framed by leafy branches in the Macedon Ranges foothills.
Laughing, the bride wraps her arms around the groom against a rough tree trunk, her veil falling over her shoulder.
Framed small beside the gazebo, the couple are mirrored in the still lake at Glen Erin at Lancefield in the Macedon Ranges.
Out on the timber jetty, the wind throws the bride's veil high behind her, one hand on her hip, in black and white.
The bride hides her laughing face behind her hand during the speeches as the groom in his waistcoat cracks up, shown in black and white.
The bride kicks her heels high on the dance floor at Glen Erin under draped pink and white fabric and fairy lights.
In black and white, an older guest crouches with a camera to his eye, shouting with delight on a Macedon Ranges dance floor.
The wedding story

Our Glen Erin at Lancefield wedding photos: window light on satin, a veil in the wind and high kicks on the dance floor

Getting ready in the homestead · Ceremony under the arch above the vines · Signing among the guests · Timber wall, wagon wheel and lake portraits · Speeches and dancing under draped lights

Read the full story

Satin at the window

We found the bride in a homestead bedroom with tall windows and heavy brown curtains, her hair already swept up in soft curls while a loved one leaned in to check the last pins. Then the gown went on: ivory satin, strapless, with a long train that pooled across the carpet. We stood her side-on to the window so the light ran along every fold of the satin, and her veil hung from the curtain rod beside her like part of the set. A wall mirror opposite gave us a second bride in the same frame, gazing out at the garden.

Laughter in the mirror

A loved one in a black dress sat on the bed beside her, and the bride laughed at something she said; we caught it in the mirror, which framed the pair against a deep blue wall. Two more loved ones came in to see her, quiet and close, by the window that looks out to the homestead’s iron lace verandah. Our favourite frame from the room came last: the bride silhouetted against that window, her gown spilling off the bed into the dark. Shooting into the light like that takes patience, waiting until a face turns just enough to read.

An arch above the vines

Outside, the ceremony was set on the timber deck at the edge of the vineyard, under a tall arch of greenery with an urn of white flowers beside it and the vines running away towards the lodge. The groom waited at the front with his groomsmen, all in grey suits and smiling hard. At the arch, an older loved one wrapped the bride in a hug before letting her go, and the groom’s grin over his shoulder says everything. Bridesmaids lined up on one side and groomsmen on the other, which made for a lovely symmetrical wide frame against the sky.

Rings, pride and cameras

Through the vows we moved around the edges, shooting through long grass and flowers so the foreground softened into colour. The rings went on, the bride beamed up at the groom, and an older guest in a red bow tie and an orange buttonhole looked on with a face full of pride. The bridesmaids held orange calla lilies and orchids against their chocolate brown dresses. At the signing table among the vines, guests crowded in with their own cameras, and in the middle of it all the couple leaned in for a kiss, which we framed through the crowd.

A backlit walk across the lawn

Straight after, we walked them into a grassy row between the vines, where they kissed with the veil trailing behind. The bridesmaids gathered around the bride with the timber lodge behind them, her white cascading bouquet bright between their orange ones, and then lined up either side of her under the arch. The groomsmen strolled across the lawn in sunglasses with drinks in hand, and we put the low sun behind them so their shadows stretched long towards the camera. Backlight like that turns a simple walk into one of the most relaxed frames of the day.

Timber walls and a wagon wheel

For the couple portraits we stayed close to the old buildings and the trees. The bride perched on the groom’s knee on a timber bench against a weatherboard wall while the bridal party crowded the edges of the frame. Beside a timber cabin, the sun flared through a big tree behind them, a look we love to chase late in the afternoon. Under a stand of trees an old wagon wheel made a rustic prop: she rested a hand on it, they kissed beside it, and then she wrapped herself around the groom against a rough trunk, laughing.

The jetty and the lake

Then the lake. We stepped well back and framed them small on the far bank beside the gazebo, so the still water held a perfect upside-down copy of the scene. Out on the timber jetty, the breeze caught the bride’s veil and threw it high behind her while she stood with one hand on her hip, laughing; we kept that one in black and white. Few sets of Glen Erin at Lancefield wedding photos skip the lake, and this one shows why. Wind is a gift for veils if you are ready for it, so we keep shooting rather than waiting for it to settle.

Speeches and high kicks

Inside, the reception room was draped with pink and white fabric gathered into the ceiling and strung with fairy lights. The speeches had the bride hiding her face behind her hand with laughter while the groom, in his waistcoat, cracked up beside her. Then the dancing started, and she danced with her train bunched up, kicking her heels high with the bridesmaids and friends around her. An older guest dropped into a crouch with a camera to his eye, shouting with delight, and that single black and white frame sums up the night better than any other.

Photographer's venue notes

Glen Erin at Lancefield, Lancefield: a green arch on the deck, old timber walls and a mirror-still lake

Read the venue notes

Where this wedding unfolded

This couple used the property in a compact circuit. The bride got ready in a homestead bedroom with a deep blue wall and heavy brown curtains, then walked out to the timber deck at the vineyard edge, where a tall arch of greenery and an urn of white flowers waited. The register was signed at a table out among the vines, with guests pressing in on every side. Portraits moved from the lawn by the lodge to the cabins and trees, then down to the lake, before everyone gathered in the draped reception room.

Light from the window to the water

The bedroom windows gave a strong, directional light, so we placed the bride side-on for the satin details and then shot straight into the glass for a silhouette. Out on the deck the sky stayed open behind the arch, which kept the ceremony frames clean and bright. By portrait time the sun was low behind the groomsmen on the lawn and flaring through the big tree beside the cabin. At the gazebo the water had gone still enough to mirror the couple, while a gust out on the jetty lifted the veil high.

Corners we used for their portraits

Rather than chasing the vines all afternoon, we leaned on the textures around the old buildings. A timber bench against a weatherboard wall let the bride sit on the groom’s knee with the bridal party tucked in at the edges. The lattice beside the cabin broke the sunlight into soft flares, and a weathered wagon wheel under the trees gave her something natural to rest a hand on. A rough trunk nearby suited a laughing, close embrace, with leafy branches framing the pair from above.

Ideas to borrow for a similar day

For vows on an open deck, we like to work through the plants along the edge, so a blur of green and colour sits in front of the lens. If guests want their own camera moment at the signing, let them crowd in, then we will find the kiss through the gaps. A strapless satin gown loves window light, so dress in a room with tall glass and keep the space clear around it. And when you head to the lake, give us a little distance: framing you small by the gazebo is what makes the reflection read.

Keep exploring

Glen Erin at Lancefield weddings

Every Veri wedding at this venue

Melbourne weddings

More real weddings across the city

Macedon Ranges weddings

Real weddings across the region