The Grand on Princes · Mulgrave VIC · Melbourne
Ballroom Wedding · Cultural & Traditional Wedding · City: Melbourne · Venue: The Grand on Princes
A champagne and gold outfit stitched with emerald green, a ball of red roses and a slow walk down a sweeping staircase on her dad’s arm into a room of more than three hundred guests. Zulfia and Muizz’s wedding at The Grand on Princes in Mulgrave filled a red and white ballroom in Melbourne’s south-east with laughter, playful bargaining and a whole lot of hugs, then rolled on through the reception to a tearful send-off at the car. We loved every minute.







































































































































Getting ready at home · Bridal suite at The Grand on Princes · Muizz on the ballroom stage · Staircase entrance · Speeches and cake · Farewell at the car
Our day with Zulfia began at home, where she sat at a mirror with her makeup nearly done and a jewelled headpiece already draped across her hair. Women of the family crowded in to help: one buckled her silver heels over a red rug, another fastened a heavy emerald and gold necklace, and two more worked on her earrings at once. Her outfit was champagne and gold, embroidered with green stones and trimmed in red. In a small room we shoot over shoulders and through gaps, letting the helpers frame her face, because their hands tell half the story.
Zulfia held her ring box open in cupped hands, and we moved in close with a longer lens so the diamond stayed sharp while the gold of her outfit melted into a blur behind it. Then a red and gold veil came down over her hair, and as the helpers tugged and pinned it she burst out laughing behind her hand. Bangles went on, one wrist at a time. Before leaving, she stood for family photos against a plain white wall, which we love in a busy house because it keeps every colour clean.
At The Grand on Princes, Zulfia’s bridesmaids were waiting in a room lined with tall curved windows, dressed in purple and gold and holding white and blue calla lilies. Her own bouquet was a tight ball of red roses, and a flower girl in white with a big red sash joined the line-up. Curved glass throws soft, even light from almost every angle, so we stood Zulfia side-on to the window and let the pale sky glow behind her. Whenever we plan The Grand on Princes wedding photos, this is the room we want for portraits.
Outside, the white curved walls of the building stood bright against a pale sky. Inside, the ballroom stage was dressed in swags of red and white with a tufted white chaise and strands of crystal, and a tall white cake trailing red roses waited beside a sparkling sign spelling out Muizz and Zulfia. Empty rooms are worth ten quiet minutes of our time, so we caught the stage while every petal was still exactly in place. Family gathered by the windows for groups, and two older men in dark suits leant together deep in conversation while a young woman in a red and gold wrap waited behind them.
Muizz arrived by car in a cream and gold jacket, a tall red and white headdress and a red and white rope draped around his neck, while guests pressed up to the window to see him. He walked in across the parquetry with the men of his family and took his place on the white chaise. An older guest in a cream robe spoke into a microphone beside him as the men around them listened closely. Under warm ballroom lights we work from the side of the stage with a longer lens, close enough to read faces and far enough away to stay out of the moment.
The flower girls in white tulle and the bridesmaids in purple had already made their entrance across the dance floor when the room turned to the staircase. Zulfia appeared at the top in her red veil, and her dad, in a white jacket, walked her down step by step and across the room to Muizz. We shot the descent from the foot of the stairs with a wide lens, then hurried ahead for the meeting. Muizz leant in to hug her dad, and the couple walked back between the tables together with every head in the room turned their way.
On the stage the newlyweds settled onto the chaise side by side. Two women stepped up to a clear lectern for the speeches, and when a bridesmaid in purple took the microphone the tears came quickly for the woman beside her. Then came a happy crush around the couple: bangles slipped onto Zulfia’s wrist, an older guest leant in between them for a word, and men in red and gold jackets bargained with the bride’s side, waving cash notes and pointing while everyone laughed. We stay low and wide in moments like this, right inside the circle, so the faces around the couple stay in the story.
Zulfia and Muizz cut the tall white cake together, its red roses spilling down one side, while children lined up in front of the stage with their phones held high. Two gold embroidered cushions were carried through the crowd, and then came the hugs. An older guest in orange wrapped Muizz up and held his face, and friends and family queued to hold Zulfia close. We gathered the families for one more group on the dance floor. With a crowd this size, plan your family groups early in the night, while everyone is still in the room.
At the end of the night, Zulfia and Muizz came down the curved stairs by the entrance together with family close behind. On the red carpet outside, an older loved one held Zulfia tight, her red veil pulled forward over her face, and Muizz was hugged goodbye too. Then Zulfia slid into the back of a black car with her roses in her lap and looked out through the open door one last time. Our final frame came from outside in the dark, her face lit softly inside the car, a quiet ending to a loud and joyful day.
Zulfia arrived already dressed and went straight up to the suite with the tall curved windows, where her bridesmaids were waiting. Muizz came in separately by car, crossed the parquetry with the men of his family and took his seat on the stage first. That order gave us two clean halves: his arrival on the floor, then her descent down the sweeping staircase on her dad’s arm. Everything after that stayed in the ballroom and around the stage, until the two of them came down the curved stairs by the entrance to the red carpet and the waiting car.
The suite was the only place where daylight did the work, so we gave it our full attention before the entrance. Curved glass spreads a pale sky across the whole room, and with Zulfia turned side-on to it, the gold and green of her outfit held their colour without harsh shine. Downstairs the ballroom ran on chandeliers, stage lights and a wash of purple over the tables. We balanced for skin under that mix and kept the red and white of the stage true, so the drapes stayed crisp rather than drifting pink.
Before the staircase began, a gap in the curtain at the top let us catch Zulfia waiting quietly on her dad’s arm. During the handover and the walk back between the tables we stayed low in the aisle, so the faces turning in their seats framed the couple. On the stage we split our angles, one from the side with a longer lens and one close in among family, because the crowd around the chaise kept shifting and both views were needed to tell the story of the night.
Do your family groups by the windows before the entrance while hair and outfits are fresh, as this family did, then keep the stage for closer groups later. If your entrance is down the staircase, agree on a short pause at the top so the whole room has time to turn and look up. And give the farewell real time. The hugs at the entrance went on and on, and the soft cabin light inside the car made a lovely last portrait, so ask your driver to leave that light on and the door open a little longer.