
Mt Duneed Estate · 65 Pettavel Rd, Waurn Ponds VIC · Melbourne
Country Wedding · Olive Groves Wedding · Winery & Vineyard Wedding · City: Melbourne · Venue: Mt Duneed Estate
Champagne spraying beside a wine barrel, a veil lifting on a warm summer breeze and an aisle of timber chairs running between rows of olive trees. Celeste and Matt’s wedding brought their people to Mt Duneed Estate at Waurn Ponds, on the southern edge of Geelong, for vows under a rose-dressed arbour and a long, happy night of celebrating. We were right there with them, from the cheeky groomsmen photos at the start to the last quiet portraits in the grove.






















































Getting ready at home · Olive grove ceremony under a timber arbour · Arms up for the whole crowd · Champagne by the wine barrel · Olive row portraits · Reception at Mt Duneed Estate
Our day with Celeste and Matt started small: their rings resting on a nest of pale roses and tiny white blooms, a detail we shoot early while the flowers are fresh and before anyone picks them up. Then we found Matt in front of a wall of white plantation shutters, fixing a cuff with a mirror beside him and his oatmeal jacket already on. Shutters are a lovely tool for groom portraits: they soften the daylight and add clean lines without any clutter. He gave us one serious look straight down the lens, then grinned.
Out the back, Matt and his groomsmen settled onto an outdoor sofa with a beer each, all in pale jackets, navy trousers and blue bow ties, with an inflatable pool and a cooler parked on the grass beside them. Summer weddings come with props like that, and we love them. Then the boys went full comedy under the palm fronds: dance moves, slow claps, arms over shoulders and plenty of shoving. Bright midday sun is hard on faces, so we kept them in the open shade of the garden, where skin stays even and eyes stay open.
Celeste and her girls lined up barefoot in front of sheer white curtains, the bridesmaids in black robes and Celeste in navy pyjamas with a white Bride To Be sash across the front. Then the lace gown went on, and three bridesmaids worked on it together, one at the laces, one smoothing the bodice and one kneeling to fan out the train. A pair of hands buckled her nude block heel sandals while the lace spilled across the carpet. We stood back for that one, because the shape of a train on the floor tells half the story.
Those curtains did a lot of work for us. Sheer white fabric over a big window turns harsh summer sun into a soft, even glow, and Celeste looked beautiful in it. We sat her in a grey tufted armchair with her bouquet of blush roses and greenery, let the long veil fall around her, and stepped back for a wide frame that shows the whole room and the train. Then her bridesmaids joined her in dusty blue, bouquets together, laughing so hard at one point that we moved in close and let the roses blur across the front of the frame.
At the estate, Celeste stepped out with her dad beside the olive trees, and a warm gust lifted her hair as they looked at each other and laughed. We love a breeze on a wedding day, because it brings movement nothing else can. Then they set off down a grass aisle lined with timber chairs and guests on their feet, her long veil trailing behind. We stayed behind them for that frame on purpose: from the back you see the whole aisle, the guests turning, and the place she is walking into.
Matt waited under a timber arbour dressed with blush roses and greenery, set where a row of olive trees opens up, so the grove ran away behind them like a hallway. It gave us clean backgrounds from every angle, with a bridesmaid in dusty blue on one side and a groomsman on the other. A planning tip: an arbour set against a tree row frames the couple without any extra styling. When it was done they came back up the aisle hand in hand, Celeste turning to look at Matt mid stride, both of them beaming.
Before anyone drifted off, we gathered every guest among the olive trees for one big group photo, and on our call every arm went up at once. That frame takes two minutes and often becomes the most shared in a gallery. Then we worked through family groups of every size under the trees, little ones on hips included, while the dappled shade kept faces soft. Olive trees are ideal for group photos: their canopies are low and silvery, so they block the high sun without throwing the deep, patchy shadows you get from tall gums.
Then came the moment the bridal party had clearly been waiting for. Beside a wine barrel and the empty ceremony chairs, Celeste and Matt popped a bottle of champagne and sprayed it across the lawn while the groomsmen and bridesmaids cheered with phones up. We stayed wide so the barrel, the chairs and the whole line of friends sat in the frame. Afterwards the groomsmen piled in around the couple, one of them gathering up Celeste’s train, and Matt took his turn in the middle of the bridesmaids in their dusty blue dresses.
For portraits we walked them down the long, dry rows of the olive grove, hand in hand, Celeste lifting her bouquet high in the air at one point. Some of our favourite Mt Duneed Estate wedding photos come from these rows: shooting straight down a row gives a natural vanishing line, and the trees on both sides frame the couple without us moving a thing. The breeze kept taking her veil sideways, so we let it, and finished under it with the two of them forehead to forehead. Then it was on to the reception and a night with everyone they love.
Once Celeste and Matt reached the estate, the olive grove became our whole world. Her walk with her dad started beside the trees, the grass aisle of timber chairs led into the grove, and the arbour stood where a row opens out. Straight after the vows we stayed among the same trees for the big crowd shot and every family group, then the bridal party wandered the rows with us before the couple headed off to their reception.
It was a bright summer day with dry grass between the rows and a warm breeze that never really stopped. Rather than fight it, we used it: Celeste’s veil kept lifting sideways, and her hair moved in almost every frame among the trees. The olive canopies sat low enough to take the edge off the sun for the groups, and later the light turned soft and hazy for those final forehead to forehead portraits beneath her veil.
Olive rows give you two things at once: a long line that pulls the eye to the couple, and silvery trees on each side that keep the frame clean. We stood at the end of a row for the walking shots and let Celeste and Matt come towards us or stroll away, her veil trailing on the grass. The sandy path through the grove gave us a lighter ground for the windswept kiss, and the wine barrel beside the empty chairs set up the champagne spray.
Plan a champagne moment between the groups and the portraits, while the chairs are still out and the bridal party is buzzing; a barrel and the empty rows make an instant set. Choose a veil you are happy to see blow about, because on an open estate in summer it will, and the movement is half the magic. Because the grove doubles as your group location, family photos can keep moving quickly with nobody walking far between spots.