
Okie Dokie · 6/1-7 Canterbury Rd, Braeside VIC · Melbourne
City: Melbourne · Venue: Okie Dokie
A twirl in a white warehouse laneway, a cake topper that said what everyone was thinking and a first dance in silver sequins under a glowing arch. Elissa and Kenny’s Okie Dokie celebration in Braeside turned one industrial room in Melbourne’s south-east into a party of red roses, big hugs and marquee LOVE letters. We were right there with them, from the first laughs by the roller doors to the KING and QUEEN hoodies at the very end, and we loved every minute.

















































Laneway portraits at Okie Dokie · Roller doors with the best man and maid of honour · Entrance through the greenery arch · Cheers at the timber frame · Cake and the LOVE sign · First dance and the red curtain
Our day with Elissa and Kenny began quietly, indoors beside a big window. Kenny had a red rose pinned to his black velvet dinner jacket and his arms folded, grinning as if he already knew how good the night was going to be. Elissa wore a white tea-length dress with a low V back and red-soled heels, and held a full bouquet of red roses at her hip. We turned her side-on to the glass so the soft window light would trace the line of the dress and catch her smile as she glanced back over her shoulder.
The plan was an hour of portraits at Okie Dokie before the guests arrived, and the laneway outside gave us everything we needed. The units here are crisp white render with a wall of round-holed breeze blocks, and on a bright overcast afternoon that white bounces light straight back onto faces. Kenny kissed Elissa’s hand, then her cheek, and she laughed with her eyes closed. They walked hand in hand down the concrete drive towards us, and when Kenny spun her, the full skirt flared out in a perfect circle. We shot that twirl wide so the breeze blocks framed it.
Industrial venues hide great backdrops in plain sight. A white roller door became our studio wall: clean ribbed lines, no clutter, nothing to fight the black and red. Elissa and Kenny stood with their best man and maid of honour, everyone in black or white, the two women holding matching red rose bouquets. Then we split them up. The girls hugged in close and laughed, and the boys stood shoulder to shoulder in velvet jackets, sharing a grin. On the next door along, the painted OKIE DOKIE sign gave their Okie Dokie wedding photos a signature frame as Elissa and Kenny strolled past it.
Inside, the details were already waiting. A small white cake crowned with red roses carried a cheeky acrylic topper that ended with the word ‘Finally’, and once you know the story you understand it. Elissa and Kenny had already said their vows at a small ceremony in Fitzroy Gardens, and this was the party they had been waiting for. Elissa stopped in front of a wall of their photos, pinned up beside a black door with a chalk heart, glass in hand and laughing. We always photograph a cake and a photo wall before the room fills, while every rose is still in place.
Then the room filled. Elissa was swept into hugs and selfies before she had taken three steps, and Kenny pulled two friends in for a shoulder-to-shoulder photo. When it was time for the big entrance, the maid of honour and best man came first through an arch of steel truss wrapped in greenery, then Kenny strode through with one arm in the air and Elissa beside him, beaming. Guests packed both sides of the floor, clapping and cheering. We stood low and square to the arch, so the greenery framed every face that came through it.
Under the skylights and festoon bulbs, the whole room turned towards the front, guests crowding in with drinks in hand and big smiles. Elissa and Kenny stood together in a timber frame hung with white drapes, Kenny with a hand on his heart, while everyone around them clapped. We worked from behind the guests here, using their shoulders as soft foreground, so the photo feels like you were standing in the crowd. Then came the hugs, one after another, and an older couple seated near the front smiled their way through all of it.
The dessert table was a proper spread: the rose-topped cake, rows of pink-iced treats and a donut wall on a timber stand. Elissa and Kenny cut the cake together, her bouquet still in her other hand, then posed under giant marquee LOVE letters, Kenny with a hand on his hip and Elissa giggling beside him. Guests gathered in a wide circle on the concrete floor, and two friends grabbed Elissa for a selfie. A big warehouse room like this lets us step right back with a wide lens and show just how many people turned up.
By the first dance Elissa had changed into a silver sequin dress, and the room had warmed to amber. A light stood behind them and a lit greenery arch glowed at the back, so we shot into the light and let it outline them as Kenny spun her across the concrete while the guests ringed the floor. Later, in front of a red velvet curtain, Elissa wore a sparkling headband and the two of them threw peace signs at us. Our last frame was the sweetest: matching grey hoodies printed KING and QUEEN, and a kiss under the LOVE sign.
Elissa and Kenny had married earlier, so Okie Dokie was all about the celebration, and every part of it happened under one roof. We began outside in the laneway with the two of them, their best man and maid of honour, then slipped indoors for the details while the room was still empty. From there the night flowed through the greenery arch entrance, the cheers at the draped timber frame, the cake and the dance floor, without anyone needing to step outside again.
The afternoon was bright but overcast, and the white render outside acted like a giant reflector, lifting soft light into faces with no harsh shadows at all. Inside, the skylights kept the room evenly lit while guests arrived and mingled. As evening came on, the festoon bulbs and stage lights turned everything amber, and for the first dance we placed ourselves so a bright lamp sat behind the couple and traced their outline against the glowing arch.
Outside, the round-holed breeze blocks gave us pattern for the twirl and the hand kiss, while the ribbed roller doors made plain walls for the four of them in black, white and red. Inside, the steel truss arch wrapped in greenery was a ready-made frame for the grand entrance, and the draped timber frame did the same job for the cheers. The giant LOVE letters and the red velvet curtain gave the later, sillier portraits their colour, right through to the matching hoodies at the end.
If you are planning a party here, give us the laneway first, while the daylight is still up and the room is quiet. A second outfit for dancing, like Elissa’s silver sequins, looks gorgeous under warm light and gives the gallery a clear change of chapter. And keep your formal moment at the front of the room where guests can crowd in close, because their shoulders and raised glasses become part of the picture and make it feel like a real party.