
Panorama House · 811 Princes Hwy, Maddens Plains NSW · Sydney
Mountain Wedding · City: Sydney · Venue: Panorama House
A guitar and a round of whisky with the groomsmen, a loved one in plum lace kneeling to fasten Shontei’s shoe, then vows under a gazebo smothered in white flowers with the Pacific spread out below. Shontei and AJ’s Panorama House wedding at Maddens Plains, high on the Illawarra escarpment, rolled from a red-carpet aisle to a white stretch limo at dusk and a first dance on a floor of low cloud between fountains of sparks. We loved every minute.























































































Getting ready with the groomsmen · Satin robes and hugs · Red-carpet aisle to the flower gazebo · Family groups above the coast · Limo kiss at dusk · Sparks and a first dance in the fog
AJ started his day on a sunny lawn in a black tuxedo and bow tie, then settled onto a timber deck in sunglasses looking every bit the groom. Inside, the groomsmen raised glasses of whisky, and one picked up a guitar beneath a ship’s wheel on the wall while the rest sang and laughed along from the couch. Then the whole crew lined up on the deck in front of a sandstone wall. With a group this big we stand well back and go wide, so every face gets daylight and nobody hides behind a shoulder.
At another house, Shontei sat at a mirror ringed with round bulbs while her makeup went on, her white rose bouquet, earrings and rings laid out on the timber table with a little photo locket. She and her bridesmaids wore white and champagne satin robes, and out on the balcony they laughed with nothing but blue sky behind them. A flower girl in a white tulle dress perched in the makeup chair with the bridesmaids gathered around her. Big windows and bright floors are a gift for getting ready: the whole room becomes one soft light.
Once the gown was on, the hugs began. A loved one in plum lace pressed a kiss to Shontei’s shoulder, and an older loved one in blue with a string of pearls kissed her on the cheek. Family came through one by one for portraits in the light-filled room, then we took Shontei out onto the deck, where a white flowering hedge and drifting clouds made a fresh frame for her lace. Before she left, the loved one in plum lace knelt on the floor to fasten her shoe, a small moment we never want to miss.
At Panorama House a white stretch limo pulled up beside the gate. Shontei came through it arm in arm with the older loved one in blue, her veil lifting in the breeze off the escarpment. A red carpet ran between low clipped hedges to a white gazebo covered in white flowers, where AJ waited with his groomsmen in black, a few still in sunglasses. We stood behind Shontei for one frame as she reached the gazebo, because seeing the groom over the bride’s shoulder tells you exactly what the moment felt like.
Guests filled the white chairs on the lawn, and the emotion arrived early. A loved one in plum lace pressed a hand to her mouth as tears came, while a toddler held by a loved one beside her reached up to touch her face. Under the flowers Shontei glowed behind her veil. When they kissed and walked back down the red carpet together, AJ punched the air and the guests cheered from both sides. Panorama House wedding photos have a secret weapon here: shoot from the end of the aisle and the whole coastline sits behind the couple.
The flower gazebo became our backdrop for family groups, with the ocean horizon running behind every frame. Elders stood beside the couple, aunts and cousins squeezed in, and the groomsmen lined up in their dark suits with a mix of serious faces and grins. With a horizon in the background we keep the camera level and step back far enough to fit the whole floral arch, so the groups look calm and balanced. Bright afternoon light lit the white flowers and the faces evenly, and the sky stayed a deep blue over the water.
Out in the gardens the bridal party let loose. The groomsmen bowed to Shontei like courtiers, the bridesmaids in champagne satin threw a bouquet high in the air, and everyone pulled on sunglasses for a crouching group pose that took several attempts and a lot of laughing. Then we walked Shontei and AJ past the palms on their own. Under her veil we brought them close, foreheads together and smiling, one frame we kept in black and white because the veil and lace looked best in tone alone.
As the sky turned purple over the coast, we took Shontei and AJ back to the white stretch limo for a kiss beside it, the cabin lights glowing behind them. Dusk only lasts a few minutes up here, so we had the frame planned before we walked out. Inside, the reception room was all white, with chandeliers, fairy lights and an arch of white flowers at the entrance. The bridal party danced through the arch between fountains of sparks, AJ in sunglasses, and then the two of them posed beside a tall white cake covered in roses.
For their first dance, low fog rolled across the floor and fountains of sparks fired up on either side. Shontei and AJ swayed through the haze, AJ hid his face in his hands laughing at one point, and Shontei wrapped her arms around his neck. We shot the moment close for their faces and then wide from the back of the room, with the chandeliers, the guests at their tables and the little ones watching. Fog like this looks best photographed low and from the side, where the light skims across it.
Shontei arrived by white stretch limo at the gate and walked in arm in arm with an older loved one, straight onto a red carpet between low clipped hedges. The white flower gazebo held the vows, and afterwards it became our backdrop for every family and bridal party group. From there we wandered the gardens with the couple, past the pond, the palms and the white timber rotunda, came back to the limo at dusk, then followed everyone inside through the flower arch for the reception.
The afternoon was clear and bright, with a deep blue sky over the water for the whole ceremony. That kind of light is strong up on the ridge, but the white flowers on the gazebo bounced it back and kept faces even, which made the groups easy. A steady breeze played with Shontei's veil from the moment she reached the gate. Later the sky over the coast went purple, and that short window gave us the limo kiss with its cabin lights glowing.
Standing at the end of the red carpet, with the hedges leading in, put the couple under the flowers with the coastline far below them. For the bridal party antics we moved onto the lawn by a tall hedge, a plain green wall that let the champagne satin and dark suits stand out. The quieter moments came under the gum trees and inside the rotunda, where AJ dipped Shontei into a kiss and her veil and train swept the floor.
Pin your veil firmly, then relax and let it move: the veil lifting as Shontei came through the gate was one of our favourite moments of the day. Keep the limo on hand after the ceremony if you can, because a parked car at dusk makes an easy, glamorous portrait without leaving the venue. And if you are planning sparks and low fog for your first dance, tell us which side they will fire from, so we can stand where the light skims across the haze.