
Perth
Destination Pre-Wedding · City: Perth
Pale gums framing the city skyline, a slow dance at a Kings Park lookout and a floral skirt the river breeze would not leave alone. Trinh and Matt’s Perth pre-wedding session started high above the city in Kings Park, then crossed the Swan River to the Burswood foreshore beside Crown Perth, the resort that hosted their wedding. Two outfits, one soft grey sky and a whole lot of laughing: we were right there for every stop and loved it.








































Gums and the skyline in Kings Park · Slow dance at the lookout · Bush paths, lawns and palms · Outfit change by Crown Towers · A rock in the Swan River · Windblown walk at Burswood
We met Trinh and Matt under the gums at the top of Kings Park, Trinh in a white off-shoulder lace dress and Matt in a navy suit with a white pocket square. The first frame was a quiet one on the path: Matt’s arm around her, Trinh smiling off to the side as he looked down at her. Then we walked to the edge of the hill, where a pale gum trunk and a sweep of branches frame the whole city. We stepped well back and kept them small, two figures under the canopy with the towers behind, and we kept one of those frames in black and white.
Matt led the way out onto a curved lookout with a rust-red railing, Trinh following in his navy jacket, the city spread out below. At the rail they fell into a slow dance. We swapped to a longer lens and stepped right back across the platform, which pulls the towers in close so they stand tall behind the couple instead of shrinking into the distance. Then we moved in tight: noses almost touching, Trinh laughing up at Matt, Matt grinning back. The grey sky did us a favour here, keeping the light soft on their faces and taking the glare off all that glass.
From the lookout we followed a curving path through the bush, keeping Trinh and Matt tiny in the frame so the native trees and the long grey sky could set the scene. Further on, a low fence runs along the edge of the hill, and we used it for a run of wide frames: the two of them strolling the rail with the city on one side and the river opening out on the other. Wide shots like these are worth planning into any Perth wedding photos, because they show where you were as well as who you were with.
Then Trinh leant into Matt’s chest above the river, and he closed his eyes. Behind them a road curls along the water’s edge and the Swan stretches away into the distance, with tall grasses and bush right at their feet. We shot it from a little above so the plants frame the bottom of the picture. Straight after, they set off along the footpath hand in hand and Trinh could not stop laughing. Walking frames are our favourite way to loosen a couple up: give them somewhere to go and the stiffness disappears within a few steps.
The big lawns under the trees gave us shade and a soft green floor. Trinh and Matt stood laughing together, then Trinh took his hand and led him across the grass, glancing back at him with a grin. We asked them to walk straight towards us, holding hands, and they did it without a hint of awkwardness. Under a drooping tree Matt bent his head to hers and Trinh beamed up at him. Shade from a canopy keeps the light even on faces, so it is our go-to spot whenever the sun threatens to break through.
Our next stop was a row of tall palms on a lawn above the river. Matt led Trinh down the path and she looked back over her shoulder at us, the water and the far shore stretched out behind the trunks. We framed one wide, with the palms filling one side and lots of pale sky above, a clean and airy picture that feels like a holiday. Then they walked back towards us along the narrow path, hand in hand, lace hem swinging. Palms and a big sky make a lovely change of mood after the gums and the bush.
Before the outfit change we took a few portraits of each of them on their own, something couples often forget to ask for. Matt stood on the lawn among tall white trunks, one hand in his pocket, relaxed and smiling. Trinh brushed a strand of hair from her face and looked down, then turned in profile against the trees with her drop earrings catching the light. Solo portraits take five minutes and couples love having them later. We like a background with depth for these, so the person stays sharp and the trees fall away into a soft blur.
Then came a change of outfit and a change of scene. Trinh swapped the lace for a white top and a long floral skirt, Matt kept his navy jacket over chinos, and we crossed the Swan to Burswood. The first frame there was a stroll across the grass with the glass of Crown Towers rising behind them, part of Crown Perth, the resort that hosted their wedding. Down by the river, a lone tree with long, sprawling branches leant over the foreshore, and we kept the couple small beneath it, once in colour and once in black and white.
At the water’s edge Trinh and Matt stood together on a flat rock just off the shore, the river wide and still all around them. From the bank we went wide, with apartment towers small on the far side. Up close, Matt kissed her temple and Trinh smiled straight into our lens. Then the breeze picked up her skirt and sent it flying sideways, so we kept them walking along a red path beside a reedy lake, skirt streaming out and both of them grinning. Wind is a gift with a floaty skirt, and we finished right there.
We split Trinh and Matt’s session between two very different settings. The first half stayed up on the hill in Kings Park, working from the pale gums near the top to the curved lookout, then along the bush paths and the fence line, across the shaded lawns and past the row of palms above the water. After the change into the floral skirt we crossed the river to Burswood, where the open grass below Crown Towers, a lone tree on the foreshore, a flat rock in the water and the reedy lake gave us a completely new mood.
Cloud sat over Perth for the whole session, and we were glad of it. Looking out from the hilltop, bright sun on all that glass can wash the towers out into haze behind a couple. Under a grey sky the skyline kept its shape, faces stayed clean, and we could turn in any direction at the lookout without anyone squinting. Down at Burswood the same cloud left the river pale and calm, a quiet background that let the colours in Trinh’s skirt and her loose waves carry each frame.
The gums at the top gave us natural frames: a pale trunk on one side, a low branch overhead and the city sitting neatly inside. The lookout railing gave the couple something to hold and lean on, which turned straight into a dance. The fence along the hill let us show the city and the river in one wide frame. At Burswood, the rock just off the shore isolated the two of them in open water, and the red path by the lake gave them a clear line to walk.
Let the outfit change mark the move between places: lace suited the gums and the bush, and a floaty skirt suited the open water. Save the breeziest spot for last. Once the wind found Trinh’s skirt at Burswood, we stopped trying to settle it and kept the couple moving, and those streaming frames ended the session on a high. Allow for the drive across the river in your timing, so the second location never feels rushed. A few minutes of portraits on your own before the change are worth asking for too.