
Sri Durga Devi Temple · 21 & 23 Rose Cres, Regents Park NSW · Sydney
Cultural & Traditional Wedding · City: Sydney · Venue: Sri Durga Devi Temple
Marigold garlands strung across a rain-washed car park, a stage hung with crystal pillars and red roses, then a twirl on the temple steps as the clouds broke. Yarlini and Simon’s wedding at Sri Durga Devi Temple in Regents Park, in Sydney’s west, filled the hall with family and friends in every colour of silk, and lunch at round tables straight after the ceremony. We were right there with them, from the first garland to the last group photo, and we loved every minute.





















































































































































































Marigolds at the temple entrance · Ceremony on the hall stage · Family and friends on stage · Garden portraits · The temple steps · Lunch in the hall
We arrived at Sri Durga Devi Temple on a grey, rain-washed morning, and the place was already dressed for a party. Strings of orange and yellow marigolds ran across the entrance, banana plants stood either side of the glass doors and a flower-trimmed WELCOME sign hung between them. Inside, a timber sign with Simon and Yarlini’s names in white script waited for the guests. Grey skies are kind to photographers: the cloud works like a giant softbox, so there were no harsh shadows on faces and every orange petal glowed. Above it all, the cream and gold temple tower rose over its long flight of steps.
Downstairs, in a bright white room beside the hall, Yarlini was ready in ivory silk with a wide gold border, gold jewellery at her neck and flowers in her hair. Loved ones gathered round her for the first photos of the day: a woman in mustard silk, an older guest in pale yellow, and a young woman in champagne who barely left her side all morning. White walls and ceiling downlights are gentle on skin, so we kept these portraits simple and close, with the family lined up either side and Yarlini in the middle, smiling from ear to ear.
Outside, a crowd of guests gathered with Simon under the marigold strings in the car park, a burst of crimson, teal, pink and bright blue against the wet tarmac. Simon, in white and gold, was all smiles. Then, with a garland of red and white flowers on his shoulders, he walked the long red carpet into the hall between tall brass lamps, while guests at round tables turned in their seats to watch. One of us waited at the stage end with a longer lens to catch his face as he came, and the other stepped back for a wide view of the hall, full to the edges.
The stage looked like a jewel box. Gold curtains wrapped around it, crystal pillars stood at every corner and a canopy of red roses ran along the top, with two carved white chairs at its heart. In front, the floor was covered in offerings: hands of bananas, coconuts, bowls of fruit, brass lamps and fresh green leaves. Mixed light like this, downlights above and small flames below, can turn faces orange, so we balanced our colour for skin and let the lamps glow warm. We also made a wide frame of the stage with nobody on it, because couples love seeing the setting as it was.
Yarlini’s first time on the stage was all about the people who love her. A man in white lowered a garland of white jasmine and red roses over her shoulders, and a loved one in red and gold silk pulled her into a hug that had her laughing out loud. Then a plate of bananas was passed between loved ones across the stage, while Simon watched from his chair and grinned at the happy bustle. We worked close and quietly here, stepping in for faces and out again, so the family never once had to make room for us.
Later Yarlini changed into deep red silk with turquoise sleeves, and she and Simon sat side by side on the carved white chairs while family pressed in from every side. A man in purple placed a garland over Simon’s head, and two older men in white and orange hugged at the edge of the stage. We got down low on the polished timber floor for the small details at their feet, then followed as they walked hand in hand around the stage, a loved one in champagne gathering the long red silk behind Yarlini. Through it all she kept catching Simon’s eye and laughing.
When the ceremony was done, the stage became our portrait studio. Group after group stepped up to stand with Yarlini and Simon under the crystal pillars: loved ones in emerald, violet and gold silk, little ones on hips, guests of every age in their brightest outfits. A big group of guests then sat down among the offerings for one huge, happy frame. For groups on this scale we keep a list, call names in order and shoot each group wide enough to include the roses and crystal above, so the setting is part of every family photo, not cropped away.
By the time we stepped outside, the sky had cleared. In the garden beds near the car park, Yarlini and Simon stood close among the greenery, garlands still on, and laughed as they looked at each other. Then up to the temple steps, where the cream and gold tower rose behind them against a blue sky and soft white cloud. They held hands across the stairs, Yarlini kissed his cheek and twirled under his raised arm, red and pink silk flaring. To finish, Simon scooped her up in front of the WELCOME garlands, and she could not stop laughing.
Back in the hall, a crowd of guests squeezed onto the red carpet in front of the stage and threw their arms in the air for us, the loudest frame of the day. More families gathered against a white curtain just off the hall for portraits of their own, with Simon still in his garland. Our Sri Durga Devi Temple wedding photos end the way the morning did: full of people. Lunch was served at the round tables in the same hall, so nobody had to move, and that left more time for one more photo with one more loved one.
Yarlini and Simon's day moved through the building in a clear loop. Guests gathered under the marigold strings at the glass entrance doors and across the car park, Simon walked the long red carpet into the hall, and the ceremony filled the stage under the rose canopy and crystal pillars. Yarlini got ready in a bright white room just off the hall. Family portraits stayed on the stage, then we stepped outside to the garden beds and the entrance stairs before lunch at the round tables back inside.
The morning began grey and wet, and that suited the arrival beautifully. The cloud softened every face under the marigolds, and the wet tarmac picked up the colour of the silk. Inside, the stage was lit from above and glowed warm from the brass lamps along the front, so we kept skin tones true and let the gold curtains carry the warmth. By the time the families were done, the cloud had broken, and the cream and gold tower stood against blue sky for the couple portraits.
Outside we had three spots within a few steps of each other. The green garden beds near the car park gave close, quiet portraits with soft hedges behind, a good start while everyone caught their breath. The wide entrance stairs gave us height: with the couple a few steps up, the tower sat right above them, and there was room for a twirl with the pink silk flaring. Finally the flower strung entrance, with its banana plants and welcome sign, framed Simon scooping Yarlini up.
With a guest list this large, the family portraits on the stage are a big part of the day, so build generous time for them and give a written list to someone who knows every name. Have the next few groups waiting beside the stage rather than at their tables, so nobody is hunted down. Then keep a little time for the stairs once the groups are done: on this day the sky cleared just as we stepped out, and it gave Yarlini and Simon their brightest portraits.