
The Waterfront Function Centre · Sans Souci NSW · Sydney
Church & Cathedral Wedding · Waterside Wedding · City: Sydney · Venues: Little Bay Nurses War Memorial Chapel · Mistral Point · The Waterfront Function Centre
A frangipani tree holding Lauren’s gown, a wall of stained glass behind the first kiss and a lace train spread across the sandstone at Mistral Point. Lauren and Adam’s day ran from the coast to the bay and finished at The Waterfront Function Centre in Sans Souci, with arms in the air on the marina pontoons, family hugs on the dance floor and a first dance in a shorter lace dress. We were there for every grey-skied, happy minute.



























































Getting ready at Novotel Brighton Le Sands · Ceremony at Little Bay Nurses War Memorial Chapel · Sandstone portraits at Mistral Point · Marina photos at St George Motor Boat Club · Reception and first dance at The Waterfront Function Centre
Our day started with the small things: Lauren’s ring and drop earrings resting on a black and rose-gold invitation that read “always and forever”. We photograph details like these first, while the room is still tidy. Then we went to Adam at Novotel Brighton Le Sands, where he was fixing a pink tie on his son, who was also his best man. A pink floral tie in the mirror, a few last checks, then Adam was grinning by the balcony window with loved ones, Norfolk pines and the bay behind him.
We crossed to the promenade with Adam, his groomsmen in pale grey suits and his son in navy. The sky was a flat bright grey that day, which is kinder to faces than hard sun, and the white sand below bounced light back up into the suits. A long metal railing gave everyone somewhere to lean, and the bay gave us a clean horizon. Adam sat his son up on the rail for a quiet chat, then the boys lined up for a cheeky jump frame before it was time to go.
At Lauren’s, getting ready had spilled outside. We hung her lace gown from a frangipani branch against the brick wall and asked her to step in beside it in her robe, because a garden setting makes a far better dress photo than a wardrobe door. The tree’s shade kept the light soft. Her bridesmaids gathered on the lawn in their robes and dresses, hot pink and pink-rose prints, and we caught a close frame of Lauren at the mirror, lip pencil in hand, with her makeup almost done.
When Lauren turned around in her gown, the bridesmaids were waiting with their phones up and big smiles. We stood behind her shoulder so we could hold her back and their faces in one frame. At the screen door the light caught the lace criss-cross back, and against a plain white wall the long train looked its best. Her dad couldn’t stop smiling beside her. We finished with the whole bridal party, then a close look at the lace train and her bouquet of white and pale pink roses.
Lauren beamed at us through the car window on arrival. Little Bay Nurses War Memorial Chapel is a timber A-frame with a wall of stained glass at the far end, so we stood at the back for the first frame of her walk and let the window glow behind her. Her dad walked Lauren down the aisle, both of them grinning. Up the front, Adam waited with his son beside him, and we shot him through the shoulders of the guests so his face sat right in the middle of the moment.
The pews filled the frame with reactions all through the ceremony: guests leaning forward, an older loved one turning to look back, rows of smiles under that dark timber roof. When the kiss came, the bridesmaids, the groomsmen and Adam’s son all broke into applause. We went wide for that one so the whole stained glass window stood behind them. In a bright chapel like this, we expose for the window and the faces together, which keeps the colours in the glass and the room full of detail.
From the chapel we drove up the coast to Mistral Point in Maroubra. We sat the bridal party along the sandstone ledges, then had Lauren spread her train across the rock while Adam stood beside her. The overcast sky turned the whole headland into a giant softbox, so we could shoot in every direction. They wandered across the grass with the ocean behind them, laughed over a cheek kiss on the rocks and walked a concrete path towards the water, glancing back at us over their shoulders.
Next stop was the marina at St George Motor Boat Club, where the wedding party lined up on the pontoon with cruisers and masts behind them and threw their arms in the air. The groomsmen strode along the water’s edge, and the bridesmaids posed in front of a big white cruiser. For The Waterfront Function Centre wedding photos, the pontoons are the place to be: we shot from a little higher up so the still water could double the boats while Lauren and Adam walked hand in hand.
Inside, we moved table by table and gathered family on the timber dance floor in front of the big windows, with an older guest in red in the middle of one group and plenty of hugs in all of them. Then Lauren reappeared in a shorter lace dress with a flared hem, made for dancing, and Adam was down to his shirtsleeves. Their first dance was playful, her arm curled over his head, before it slowed down to forehead to forehead with a backlight glowing behind them.
Lauren and Adam spread their day across Sydney, marrying at the chapel at Little Bay and heading to Mistral Point for sandstone portraits before driving across to Sans Souci. The Waterfront Function Centre was the final stop, and we used it in two parts: the marina pontoons first, while there was still daylight on the water, and then the reception room for family groups, the dress change and the first dance.
The flat grey sky that followed us down the coast was a gift at the marina. The water lay calm, so the cruisers and masts doubled in it behind the wedding party. Even light meant nobody squinted for the arms up group, and the big white cruiser behind the bridesmaids stayed bright without blowing out. Indoors, as evening settled in, the room’s lights glowed in the big windows behind the family groups and the dance floor.
On the pontoons we lined the whole wedding party up with the boats behind and called for arms in the air, then sent the groomsmen and Adam’s son striding along the water’s edge. The end of the pontoon gave Lauren and Adam a quiet spot to hold each other with the cruisers moored behind. Inside, the timber dance floor in front of the windows became our family group space under the curved ceiling, before it turned into the stage for their first dance.
If your ceremony and portraits are elsewhere, as Lauren and Adam’s were, plan the marina as a short stop on arrival rather than an afterthought; it gives the gallery its bayside frames before guests settle inside. Gathering family on the dance floor before the dancing begins keeps everyone in one spot. And a shorter second dress, like Lauren’s flared lace, frees you up for a playful first dance with arms over heads.