
The Grande Reception · Epping VIC · Melbourne
Ballroom Wedding · Church & Cathedral Wedding · City: Melbourne · Venues: Carlton Gardens · The Grande Reception · Toorak Uniting Church
A cream dinner jacket waiting at the altar, groomsmen carrying a cloud of tulle under the plane trees, and a first dance lost in dry-ice fog. Katerina and Bill’s wedding began at Toorak Uniting Church, wandered through Carlton Gardens and finished at The Grande Reception in Epping, in Melbourne’s north, where the dance floor never emptied. We were right there for the laughter at the vows, the grand entrance on the red carpet and Bill flying high on his mates’ shoulders, and we loved it.


























































































Getting ready at home · Ceremony at Toorak Uniting Church · Family on the sandstone steps · Portraits at Carlton Gardens · Red carpet entrance at The Grande Reception · Dry-ice first dance
Our day started with Bill, already in his cream dinner jacket and black bow tie, holding out his wrists while two groomsmen fought with the cufflinks. We like to photograph that moment tight, hands only, because it says ‘nearly time’ better than any pose. Then he stepped outside, put on his sunglasses and leant against a silver sedan like he owned the street. Back inside, he lined up with each of the boys in turn, including the youngest of the party in a tuxedo of his own, and every one of them was grinning.
Across town, Katerina was ready in a beaded bodice, a full tulle skirt and a sparkling tiara, holding a round bouquet of white roses. Her bridesmaids crowded in close with pink rose bouquets and plenty of laughter, and one by one they stood beside her at the window for a photo. A big window behind a bride is a gift: it puts a glow around the veil and keeps her face soft. Loved ones came in for portraits beside her, and a little girl in a lace dress stopped in the doorway to look up at her.
Toorak Uniting Church is all timber roof, Gothic windows and red carpet, and Bill waited at the front with his groomsmen lined up beside him. We worked from the side aisle so we could see his face as Katerina came towards him. When she reached him, they held hands under the stained glass, and halfway through the vows she covered her mouth and laughed. So did the front pews. Church interiors can be dim, so we choose our angles early and work with the window light rather than a flash during the service.
The bridesmaids stood on the red-carpeted steps in blush satin with their pink bouquets, a lovely line of colour against the cream walls and dark timber. In the pews, an older guest pressed a hand to his mouth while the woman beside him watched every word, and we kept a longer lens on them. Toorak Uniting Church wedding moments like these happen in the congregation as much as at the front. Then it was done, and Katerina and Bill walked back down the aisle together, both of them laughing, with the whole church on its feet.
Outside, the whole crowd squeezed in front of the church for one big group photo, with a white stretch limousine and a vintage car parked at the kerb. Then we moved the family groups against the pale sandstone wall beside the arched windows. Stone like this is a perfect neutral: it warms skin, never competes with the dress and looks the same in every frame of a set. We worked from small groups to large ones, finishing with the bridesmaids in blush and the groomsmen in black ties lined up on either side of the couple.
From Toorak we drove across town to Carlton Gardens. We started at the tall blue doors of the Royal Exhibition Building, where Katerina’s skirt filled the steps and Bill took her hand to bring her down. Grand architecture can swallow a couple, so we stood well back and kept them centred under the carved stonework, with the doors framing them like a stage. Then we came in close for a quieter frame: Bill leaning in against her cheek, her white roses resting behind his shoulder and the veil catching the light.
Under the plane trees the groomsmen took charge. Four of them gathered up Katerina’s skirt and carried it like a cloud while she laughed between them, and then the whole party walked towards us across the grass in a long line. Avenues of big trees are perfect at four in the afternoon: the canopy cuts the glare and the light comes through the leaves in soft patches. We finished with Katerina and Bill together on the lawn, and a portrait of Bill alone with his hands in his pockets, completely at ease.
At The Grande Reception the bridal party made their entrance along a red carpet, couple by couple, each pair with their own dance moves. Then Katerina and Bill walked in, arm in arm, to a room full of raised phones. The cake, white with gold trim, stood in front of the bridal table, and they cut it together with the bridesmaids watching from behind. For the first dance the floor disappeared under dry ice, and we lit them from behind so the fog glowed around them. Bill’s speech had the whole bridal table in stitches.
Then the night really started. Bill danced in his waistcoat with Katerina’s skirt swirling beside him, the couple did the rounds of every table, and the lights changed from pink to green to blue. His mates hoisted him onto their shoulders, twice, and a young guest in a bow tie slid across the dance floor on his stomach to huge cheers. A little one rode on someone’s shoulders, and the dancing never thinned out. We closed with one last portrait of Katerina and Bill bathed in warm orange light against the wall.
Katerina and Bill came to The Grande Reception at the end of a long, happy day: vows in Toorak, family groups against pale sandstone, then portraits at Carlton Gardens under the plane trees. By the time we reached Epping the ballroom was full and waiting. The bridal party walked the red carpet in pairs past the bar, the couple followed to a room of raised phones, and the night moved from cake cutting in front of the bridal table to speeches, a lap of every round table and a dance floor that stayed busy.
The ballroom lights shifted all night, from green during the first dance to pink, red, blue and finally a deep warm orange. We love that colour behind dancers, but it can turn skin strange, so for faces we added a small light of our own and let the room glow behind. For the first dance we put that light behind Katerina and Bill, so the dry ice rolling over the parquet lit up around them while Bill twirled her. Those first moments, before the fog spreads, give the cleanest shapes.
For the red carpet we waited low at the far end, so every pair danced straight towards us and the clapping tables filled the edges of the frame. At the cake we moved to the side, which kept the bridesmaids in view behind the couple. During Bill’s speech we turned a longer lens on the room: a guest in a pink netted hat laughing into her hands, a loved one in navy lace blowing a kiss. Then we followed the couple table by table, catching each group quickly so nobody waited long.
Plan the table rounds early in the evening, while everyone is still seated and dressed up, and those small family groups become a lovely record of the whole room. If your mates are likely to hoist you onto their shoulders, as Bill’s did twice, give us a nod so we are already in front. And keep a moment near the end of the night for a quiet portrait against a lit wall. Katerina and Bill’s last frame, laughing in that orange glow, is one of our favourites from their day.