
Aldinga Secret Garden · 9 Old Coach Road, Aldinga SA · Adelaide
Garden Wedding · City: Adelaide · Venue: Aldinga Secret Garden
A first look by a garden bed, rose petals flying along a gravel aisle and a first dance on old rugs with a chandelier hanging in the trees. Leila and Tamara’s wedding at Aldinga Secret Garden, in the old township of Aldinga on the Fleurieu Peninsula, was blush pink, deep red roses and happy tears from the first hug to the last. We were right beside them all day, from the white robes in the morning to cake in the Chapel and a dusk embrace among the flowers.












































































































Getting ready in white robes · First look · Chapel and verandah portraits · Ceremony under the grapevine arbour · Family on the red velvet sofa · Cake and first dance at dusk
Our morning started in white robes. One bride leant in a sunlit doorway while the other sat still for her hair, long blonde lengths brushed out beside the window. A loved one in a matching robe stood in for an easy first portrait, and then the strapless lace gown went on, with two helpers fastening the back and a pair of white sandals buckled at her feet. We turned her side-on to the window, because one soft source of light shows lace texture far better than a ceiling lamp, and she smiled down at the floor for a quiet second.
Across the house, the other bride was getting into a blush pink suit. Someone in a robe straightened her collar, a red and white rose boutonniere went onto the lapel, and white perforated sneakers were laced up on a patterned rug. We love a detail like shoes being tied: hands, laces and texture tell the story without anyone needing to pose. She sat back on the sofa with her hands clasped, calm and ready, while in the next room the bouquet of deep red roses, blush blooms and silver eucalyptus rested against the lace.
Before the ceremony the two of them had a first look outside. The bride in the suit stood facing away beside a garden bed, and we brought her bride up quietly along the path behind her. One tap, one turn, and both hands went straight over her face. A bridesmaid in pink had her phone up to catch it too. Then came the long hug, eyes closed, chin on a shoulder. First looks are worth planning: a few private minutes take the nerves out of the aisle and give us real reactions in calm light.
Next the bridal party headed to the garden while it was still quiet. Under the timber pergola the brides sat on a red velvet sofa with the bridesmaids in dusty pink around them, every bouquet red and white. Out under the dark purple foliage we worked through each bridesmaid in turn: pointing and laughing, cheek to cheek, a kiss on the cheek for the bride in the suit and one hug that nearly squashed the flowers. Doing these portraits before the guests arrive lets the bridal party be silly without an audience watching.
Aldinga Secret Garden wedding photos come from the little rooms of this place. On the verandah steps, climbing roses framed the pair under a string of bulbs. One bride stretched out on a mustard velvet sofa against corrugated iron, gown spread across the rug, and then the two of them shared a carved armchair in front of the Chapel’s old stained-glass window, legs draped over laps. Coloured glass glows when the room around it is darker than the day outside, so we kept them in the shade and let the window do the work.
At ceremony time the guests settled onto mismatched timber chairs along the gravel aisle. The bride in the gown came down it arm in arm with the dads, one on each side, past a row of phones and tablets held high. The vows were said under the grapevine arbour, festoon bulbs hanging in the leaves and the bridesmaids lined up either side. We shot through the vines from the edge of the arbour, so green leaves frame the couple instead of the backs of heads. Their hands stayed joined the whole way through while the celebrant read.
The certificate was signed at a white wrought iron table with the bridesmaids gathered behind, and then the petals flew. Guests lined the aisle and threw handfuls of confetti while the brides walked out through it laughing. In the crush of hugs and congratulations that followed, the bride in the suit stopped for a moment and looked down at the new ring on her hand. That small private glance is the frame we wait for in the middle of the noise, so one of us always stays close to the couple straight after the walk back.
Family photos came next under the timber pergola. With the red velvet sofa set on the rugs, the brides took the seats and loved ones filled in around and behind them, group after group, with the smallest guest, a baby dressed in white, sitting on a lap in the middle. Out among the trees we added smaller groups and pairs, plus a black and white portrait of the two of them cheek to cheek. A sofa is a great trick for big groups: it fixes the couple at the centre and everyone else simply builds around it.
As the light softened the brides took one more walk past the rose beds and under the dark-leafed trees. Back in the Chapel they cut a three-tier semi-naked cake dressed with red roses, laughing as the knife went in. Their first dance was on old rugs laid over the paving, with a chandelier hanging in the tree above, festoon lights all round and guests standing in a ring with their phones up. We finished in the garden at dusk, the two of them wrapped together in the last blue light while the party carried on behind.
Leila and Tamara’s day moved through the garden one small room at a time. Their first look happened on a quiet path beside a flowering hedge, under a gnarled old tree. The bridal party then gathered on the red velvet sofa beneath the timber pergola, and we wandered on to the rose covered verandah steps and into the Chapel. Vows were said in the Laneway under the grapevine arbour, families came back to the sofa on the raised deck, and the evening finished with cake in the Chapel and a first dance out on rugs in the open.
It was a late spring afternoon with the garden in full flower: pink roses on the verandah, orange blooms along the paths and plenty of fresh green overhead. The trees and vine leaves broke the sun into soft dapples, and during the vows the light came through the leaves from behind the couple, which gave the arbour a gentle glow rather than hard shadows on faces. As the sun dropped we moved out along the paths and onto the rugs, and by dusk the festoon bulbs and the chandelier in the tree had become our main light.
The dark plum foliage was the best friend of the bridesmaid portraits: a deep, even backdrop that made the dusty pink dresses and red bouquets pop. A red rug laid on the gravel path turned an ordinary stretch of garden into a little set. In the Chapel, the mustard sofa against corrugated iron gave us texture and colour in one frame, while the carved gold sofa under the leadlight window suited a closer, cosier pose. For the evening portraits, a rusted iron gate and a patterned rug between white wicker chairs gave us two more looks without walking far.
Split your portraits into short visits rather than one long session. Leila and Tamara did the bridal party before guests arrived, families straight after the vows and a slow couple walk near sunset, so each round took only a little while and nobody missed the party. Bring a few rugs or a statement sofa if you can: here they made instant portrait sets on gravel and paving. And save a few minutes at dusk, when the bulbs come on and the sky turns blue, for a quiet hug away from the crowd.