
Glenrock Farm · Carrara QLD · Gold Coast
Country Wedding · City: Gold Coast · Venues: Glenrock Farm · RACV Royal Pines Resort
A popped cork in a tower room above the Royal Pines fairways, vows laughed into a microphone under tall gums, then festoon lights glowing along the corrugated iron of an old dairy barn. Elyse and Dan’s Glenrock Farm wedding in Carrara, on the Gold Coast, had hugs at every turn, yellow bow ties all round and a dance floor that got gloriously silly. We were with them from the first glass of bubbles to the last dance under the lights.




































































































































































































































































































































































































































Getting ready at RACV Royal Pines Resort · Ceremony under the gums at Glenrock Farm · Family photos by the farmhouse · Paddock portraits · Barn reception under festoon lights · Dancing into the night
Our day began high in the tower at RACV Royal Pines Resort in Benowa, with a window looking over the golf course lakes to the hinterland. Dan’s blue-grey jacket hung against the sheer curtains, the thistle and white anemone buttonholes sat labelled on a tray for his crew, and he laced his brown brogues on the carpet. Then the cork came out and Dan laughed so hard he nearly folded in half. Sheer curtains are a gift for us: they turn a bright Queensland window into one big soft light, so faces stay gentle even in the early afternoon.
Dan’s side of the bridal party mixed women and men, and everyone carried a touch of yellow: bow ties on the men, a yellow belt on a navy dress. Glasses went up by the window and somebody pointed straight at Dan mid-joke. An older loved one in a navy bow tie laughed along with him, and two loved ones stood either side of Dan for a photo against the curtains. We finished with Dan alone on the arm of a chair, bow tie straight, eyes on the view. A quiet single portrait before the rush is worth five minutes of any timeline.
Meanwhile, Elyse sat in a navy robe with her curls already done while we photographed the details: rose gold glitter heels beside a bouquet of banksia, white flowers and gum leaves, and the rings resting on the invitation with a painted fan. Her lace and satin dress waited on its hanger. Then came the braid, the drop earrings fastened by a careful pair of hands and finally a birdcage veil. Her bridesmaids wore white lace tops with blue and yellow floral skirts, and the three of them squeezed together by the window, all smiles.
Elyse’s dad, in his navy blazer and bow tie, shared a big laugh by the window with a loved one in cream lace, the same pair who would later walk Elyse down the aisle. Before we left, we stood Elyse side on to the glass, bouquet low, with the lakes and fairways behind her. The trick with a view like that is to expose for the bride and let the landscape sit slightly bright: it keeps her skin soft and the room feeling airy, and the view still reads as the Gold Coast.
At Glenrock Farm a chalkboard welcomed everyone to Elyse and Dan’s wedding, and the chairs faced an arch draped in white fabric and greenery between tall gum trees. A white runner led past the old farmhouse. Dan waited with his groomspeople while a bridesmaid walked in, and then Elyse came down on the arm of her dad, with the loved one in cream lace on her other side. At the end of the aisle her dad pulled Dan into a huge hug. We stayed close at the top of the aisle for it, because a hug like that lasts seconds and never happens twice.
The gums kept everyone in soft, broken shade through the ceremony, so we could read every face. A loved one stood at a music stand to give a reading with a toddler on his hip. Elyse laughed her way through her vows into the microphone, a bridesmaid held the microphone for the rings, and one of Dan’s groomspeople wiped away a tear. The guests laughed loudly and often. For the kiss, Dan cupped Elyse’s face under the arch and the bridal party broke into applause on both sides.
Elyse signed at a little table set with her bouquet and a white lantern, pen in hand, while the bridal party crowded around and a groomsman added his name as a witness. Then they were off up the runner, Dan waving the certificate and Elyse almost skipping beside him. Hugs came thick and fast on the grass. We gathered the families in front of the farmhouse veranda, which makes a warm, simple backdrop, and grabbed a sweet moment of a little one in pink on a loved one’s hip.
Our Glenrock Farm wedding photos needed no car: the runsheet gave us from 3.45pm to 5.15pm, all on the property. The bridal party walked towards us arm in arm under the old trees, and then we split them up, Elyse with the bridesmaids, Dan with the boys against the trunks. With the couple we went quiet. They walked hand in hand through the trees, kissed in the paddock among twisted branches in frames we kept in black and white, and strolled back across the grass as the early spring sun dropped low and warm.
Guests mingled on the lawn around a grazing table piled with fruit and cheese while the light went. Then the barn came alive: festoon lights along the corrugated iron, white drapes overhead and the bridal party lined up for the speeches. Elyse took the microphone herself, Dan hugged a loved one, and the buttercream cake with succulents and an Elyse and Dan topper met the knife. Their first dance was slow and close. Later Elyse swapped into a floral skirt and white sneakers, the dance floor got silly, and we stepped out into the paddock for the festoons glowing under the big tree.
Once Elyse and Dan arrived at Glenrock Farm, nobody needed to leave the property again. The aisle ran from the old farmhouse across the lawn to a draped arch between tall gums, the family groups gathered in front of the farmhouse veranda, and the bridal party portraits flowed out under the old trees and along the paddock edge. Guests filled the cocktail hour with the grazing table, croquet mallets and a game of silver balls on the grass, then everyone came together in the barn and the festoon-lit courtyard outside for speeches, cake and a lively dance floor.
The tall gums threw soft, broken shade over the ceremony, which kept faces easy to read and gave us gentle flare through the trunks whenever we wanted it. Early spring meant the sun was already low by the time we moved into portraits, so we worked the shade first and saved the open paddock for the end, when warm light was coming in sideways across the grass. Dusk arrived during the cocktail hour, and by the time the bridal party made their entrance the festoons had taken over, glowing gold against the corrugated iron.
The twisted trees at the paddock edge gave the couple portraits real character, with branches arching overhead and open grass beyond. A broad old trunk made a natural stage for the bridal party, especially once the groomsmen started hiding behind bouquets. A stack of old logs under the trees added a rustic touch to a walking frame. After dark we stepped out into the paddock for a wide view back to the reception glowing under the big tree, and the porch light on the ivy covered farmhouse wall gave us a quiet closing portrait.
Keep the aisle straight and clear between the farmhouse and the arch, because a long white runner reads beautifully from both ends. Bring a light layer for the bridal party once the sun drops; Elyse’s bridesmaids slipped into navy cardigans for the evening and still looked great in every group. A change of shoes is worth planning too, and her floral skirt and white sneakers kept Elyse dancing long after the cake. Finally, put a few games out on the lawn so the cocktail hour feels relaxed for guests rather than like waiting around.