
Marnong Estate · 2335 Mickleham Rd, Mickleham VIC · Melbourne
Country Wedding · Heritage & Historic Venue Wedding · City: Melbourne · Venue: Marnong Estate
A glass-walled ceremony room full of greenery, a shower of white petals, then a whole wedding party leaping into the air on the hilltop above the paddocks. Nicole and John’s Marnong Estate wedding in Mickleham kept everything on one historic farm, from a bay-window toast in silky robes to a first dance on a white floor beneath a ring of hanging greenery. We loved every minute, and the veil that flew in the evening wind made the last light even better.


















































































































Getting ready at Marnong Estate · Vows in the Green Grove · Petal toss and family groups under the palms · Wedding party on the hilltop · Cake and first dance in the Angliss Room · Sunset portraits on the hill
Our day started with John, sitting quietly on the edge of the bed by a curtained window, the soft side light doing all the work in a frame we kept in black and white. A loved one stepped in to pin his white boutonniere, and the two of them were grinning before it was even straight. Then we took the groomsmen out onto the glass balcony. Four black tuxedos and John’s navy one against a wide blue sky and dry, rolling paddocks: with a view like that we shoot from inside the room, so the window frame becomes part of the picture.
Across the estate, Nicole’s room was all white panelling, a white fireplace and a shuttered bay window. The bridesmaids piled into that window in blush robes and raised their glasses in clean, even light. On the detail table, a locket holding a tiny photograph sat beside white roses. Nicole put in her earrings by the window while the bridesmaids gathered her long lace train, and when she turned to face them there were gasps, hands over mouths and one very loud squeal. A bridesmaid hugged her and Nicole wiped away happy tears. We keep a wider lens on for that moment, because the reactions around a bride matter too.
White walls are a gift indoors: they bounce window light back into the face, so we could let Nicole twirl the veil beside the fireplace and keep every frame soft. She held her bouquet of white roses and greenery and looked straight down the lens, calm and ready. A loved one in a pale blue coat came in to fuss over the dress, then leant in until their foreheads touched, both laughing. The bridesmaids finished with bouquets thrown in the air under the chandelier, and Nicole took one last turn with her long train.
The ceremony was indoors in the Green Grove, a tall room of glass walls under a pitched timber roof. Nicole walked in on the arm of the loved one in pale blue, past white chairs and smiling faces, and John waited at an arbour heavy with white flowers and trailing greenery. Glass on every side means even light with no squinting, so we could stand close at the front and still catch both faces. Our celebrant kept the room laughing into the microphone, and Nicole and John held hands and grinned straight through it.
The register was signed at a round table with a lantern and white flowers, Nicole sitting while John bent over to sign, and the whole wedding party lined up behind them against the glass. In the front rows, a group of older guests were laughing so hard we had to take a few frames of them alone. Then came the kiss beside the welcome sign and the walk back down the aisle through a storm of white petals. John punched the air on the way out, and we were right in front of them, walking backwards.
Everyone spilled out onto the lawn, where a row of tall palms stands in front of the glass-fronted buildings. We started with all the guests together, arms in the air, then worked through the family groups with Nicole and John in the middle of each one. Late afternoon is kind to group photos here: the palms and the building behind them give a tidy backdrop with no distractions, and the sun sits low enough to keep faces even. A short written list of groups keeps this part quick, so the party gets back to the drinks sooner.
Then we walked the wedding party up onto the open hill, the spot behind so many Marnong Estate wedding photos, with the paddocks folding away towards the ranges. With the sun behind them, everyone threw long shadows across the grass, and we lined them up so the shadows became part of the frame. The groomsmen jumped on the count of three while the bridesmaids cheered with their bouquets. We had them walk towards us in a long line, arm in arm, laughing and stepping out of time, and those are the frames that feel most like the day itself, loose and happy.
For Nicole and John on their own, we let the breeze on the hill do the styling. The veil wrapped around them, lifted over John’s shoulder and drifted across the frame, and we shot into the sun so the light came through the tulle. We kept them close, foreheads together, with the white roses between them and the hills soft and golden behind. Backlight like this suits a couple who want warmth more than drama, and the open ridge means there is always a clear horizon behind them.
Inside the Angliss Room, glass globe lights hung over long rows of guests and the windows filled with evening sky. Nicole and John cut a white cake on a fluted white table, then took the white dance floor under a suspended ring of greenery and white flowers, John sweeping Nicole up as the room cheered. As the sky turned pink we stole them back to the hill for a few more minutes: slow kisses, a laughing walk hand in hand and John lifting Nicole off her feet, the veil streaming behind them.
Nicole and John never had to leave the property. John and his groomsmen got ready in a room opening onto a glass balcony over the paddocks, while Nicole and her bridesmaids were in the white panelled bridal suite with its bay window and fireplace. The ceremony followed in the Green Grove, then everyone moved out to the palm lawn for groups, up to the open hill for the wedding party, and into the Angliss Room for cake and the first dance.
Their ceremony was late in the afternoon in early autumn, and the paddocks were dry and golden. Inside the Green Grove the glass walls kept the light soft and even through the vows. By the time we reached the hill the sun was low behind the wedding party, throwing long shadows across the grass, and the evening wind had picked up. During the reception the sky turned pink, so we slipped out once more for a few minutes on the hill in the last glow.
The bay window in the bridal suite was our first stop, with the bridesmaids lined along the window seat in flat, clean light. In the Green Grove we stood close at the front near the arbour, then walked ahead of the couple through the petal shower. The palm lawn in front of the glass buildings gave a tidy backdrop for the family groups. On the hilltop we shot into the sun, so the veil glowed and the hills faded softly behind them.
Hand out petal cones before the ceremony and seat your most excited guests near the aisle: Nicole and John's front rows turned the exit into a storm of white. Ask your groomsmen to save their energy for the hill, because a jump on the count of three looks far better with the sun behind them. And if the wind comes up, don't fight the veil. Let it wrap around you both, because on this day it gave us our favourite portraits of the couple.