
Home wedding · Melbourne
Rainforest Wedding · City: Melbourne
Tea poured cup by cup in a sunroom full of window light, vows under a white flower arch beneath tall trees, then a drift of pink smoke on the lawn. Shermaine and Raj kept their whole wedding at a private home in the hills east of Melbourne, moving from red lace for a round of tea to a full white gown and, by nightfall, a mint and peach outfit made for dancing. We were there for every toast, every speech and every laugh.































































































































































































































































































































































































































































































Getting ready at home · Tea with family in the sunroom · Garden ceremony under the flower arch · Smoke and long-grass portraits · Speeches and cake in the sunroom · Dancing and lanterns on the verandah
We arrived to red paper lanterns swinging along the verandah and a bar cart under the eaves with big white letters and a chalk menu. Inside, a grazing table ran the length of the sunroom, a framed sign on the photo wall said there’s no place like home, and a little sign read two souls, one heart. Raj leant over the verandah rail in his white shirt and grinned down at us. When a couple marries at home, we photograph the house first, because those details are everything they made themselves.
Shermaine sat in a floral robe while her makeup was finished, her hair already pinned into soft curls, laughing with the people around her. We gathered the small things on a white sheet by the window: pearl earrings in their box, a pearl pendant, the rings resting in a little timber slice, blush sandals and the invitations. Her bouquet was white orchids and cream roses. Flat window light on a pale surface is our favourite way to shoot details at home, because it needs no lamps and keeps every colour true.
Then Shermaine changed into a red lace dress with long sleeves, and she and Raj served tea to their families in the sunroom, one pair at a time on two timber chairs by the tall windows. Cups went round, hugs followed, and the loudest laughs came from the youngest guests on their parents’ hips. That sunroom was a gift for us: windows on three sides, so light reached every face without flash. We stayed low and wide to keep the couple, the guest in the chair and the garden all in one frame.
Every round of tea ended with a photo, so by mid-afternoon we had built a whole family album against those windows. Big groups, small groups, cousins with toddlers and older guests in their best colours, all lined up with the garden beds stepping up the hill behind them. For groups at home we put everyone with their backs to the glass and stand inside the room, which keeps the light soft and even. Then Raj headed off to change into his burgundy suit and bow tie.
In another room, Shermaine stepped into an off-shoulder white gown with a full tulle skirt. She checked it in a tall mirror, and we used the reflection to give her two faces in one frame. Her bridesmaid knelt under all that tulle to buckle her sandals, and then Shermaine’s dad and a loved one in a champagne gown settled her veil together while she sat with the bouquet in her lap. It was a quiet few minutes before a very busy afternoon, and we kept our distance so it stayed that way.
The ceremony was in the garden, under a round arch of greenery and white flowers set against a mulched bank and tall trees. White chairs lined a grass aisle scattered with petals, with jars of baby’s breath on timber stumps. Raj waited with his groomsman and the celebrant, and Shermaine’s dad and the same loved one walked her down. She exchanged rings with her veil still down, which looks beautiful through a longer lens. Then came a pour of white, green and golden sand into one jar, a kiss and the signing.
As soon as the certificate was held up, glasses went into the air all over the garden, Shermaine and Raj raising theirs under the arch while her dad laughed with a champagne flute of his own. We climbed the slope behind the chairs for one big group of everyone, which is the quickest way to include every guest at a home wedding. Two friends struck a cheeky pose in front of the arch, and a white umbrella printed with just married came out for a giggle under the trees.
For portraits we walked to the bottom of the garden. A stick of pink smoke drifted between them for a kiss, catching the soft afternoon light under the trees. Then we took them out into a stretch of long green grass by an old timber fence, with the hills behind, and let the train spread out on the lawn. We kept one frame from there in black and white. Back among the tall trunks, they walked hand in hand while we stayed well back, letting the trees do the framing.
The reception filled the sunroom. Shermaine read her speech from her phone with Raj at her side, a loved one in a champagne gown spoke into the microphone, and one guest sang his toast with a glass in the air. Glasses clinked over a two-tier cake dressed with greenery, then came a spinning first dance and a packed floor. After dark the lanterns glowed red on the verandah. Shermaine changed into a mint and peach outfit for dancing, and Raj scooped her up sideways while she laughed. Guests added their fingerprints to a painted tree on an easel.
Shermaine and Raj used their home like a run of stages. The sunroom held the round of tea with family, every family group and later the speeches, cake and dancing. A quiet bedroom with a tall mirror was where the white gown went on. The ceremony sat at the bottom of the lawn under a round arch of greenery, the chairs facing a mulched bank, and the portraits took us further out to the long grass and the big old trunks. After dark the verandah, strung with red lanterns, became the bar and a cosy spot for night portraits of friends.
The big win was the sunroom. With glass on three sides it stayed bright even when it was packed with family, so we kept the couple facing into the room and worked without flash all afternoon. Outside, the canopy broke the sun into patches, which looked lovely on tulle but needed care on faces, so during the vows we kept moving to find clean shade. By the evening toasts the windows had turned deep blue and the forest went dark behind the glass, a beautiful contrast with the warm festoon lights.
For couple portraits we started at the bottom of the garden, where the pink smoke hung in the soft light under the trees. Then we headed out to the long grass beside the old timber fence, which gave us open sky and the hills behind for wider frames. The huge twisting trunks were our closing spot, because they make a couple look small in the best way. Back inside, the photo tree hung with snapshots made a sweet, personal backdrop for the two of them before the speeches.
Clear a corner of the brightest room for family photos and keep it clear all day, because at a home wedding the groups happen in short bursts between everything else. Place the ceremony chairs where a slope lets your photographer climb behind them for a shot of everyone. Keep warm layers handy, as the evening turned cool and guests were in coats and puffer jackets by the time the dancing started. And save a few minutes for the sunroom after dark, when the black windows frame the party.