
Payne's Rise · 10 Paynes Rd, Seville VIC · Melbourne
Heritage & Historic Venue Wedding · Winery & Vineyard Wedding · Region: VIC - Yarra Valley · City: Melbourne · Venue: Paynes Rise Wines
A pale blue Kombi on the gravel drive, vows beneath a timber frame hung with dreamcatchers, and a first dance under festoon lights while a live duo played from a rustic stage. Amy and Nathan’s wedding at Payne’s Rise in Seville, up in the Yarra Valley, was relaxed, full of family and wrapped in soft, cloudy light. We were with them from her dad’s happy tears before the ceremony to the speeches, the sparklers and the fire pit at the end of the night.


































































































































































































































































































































































Getting ready at home · Blue Kombi to Payne’s Rise · Ceremony under the big trees · Dam, homestead and vineyard portraits · Honey favours and speeches · Festoon-lit dance floor and sparklers
Our day started with Nathan and his groomsmen in a brick-walled living room, all in matching pale blue shirts, beers in hand and nobody in a hurry. A young lad in the same shirt stepped up to pin a boutonniere and straighten Nathan’s navy bow tie, concentrating hard, and we moved in close for his face as much as the flower. Then we stood Nathan beside a sheer curtain for a black and white portrait. A thin curtain turns harsh daylight into soft side light, which shapes a face beautifully. Outside, the whole crew lined up along the driveway, two young lads included.
Amy got ready in a bright room with a freestanding bath and a wide window looking out over paddocks, her strapless gown hanging in the glass. Her bouquet waited nearby: red blooms, protea, blue thistles and silver eucalyptus. The little ones were first into their flower crowns, and one tiny guest beamed as she was lifted up to show hers off. A loved one helped with the garter, and Amy wrapped another in a long hug in front of the window. We worked with that window the whole time, keeping Amy side on to it so the light ran across the lace of her bodice.
When Amy came out with her bridesmaids and a little one in a flower crown, her dad took one look and reached for a handkerchief, tears and all. We stayed on his face, because those few seconds never come twice. Then the transport arrived: a pale blue Kombi, parked under a big tree with the hills behind it, its back seat filled with bouquets. Amy watched the trees slide past through the side window on the way to Payne’s Rise. On the gravel drive her dad held her hand as she stepped down from the van onto a little stool, laughing at the whole operation.
The ceremony was set on the lawn beneath huge old trees, with rows of white folding chairs and a picnic rug up the front for the littlest guests, who made themselves very comfortable. A guitarist played while the bridesmaids walked in with their bouquets, followed by a small boy and girl together. Then Amy’s dad walked her down the grass aisle and hugged her at a square timber frame hung with white dreamcatchers. That frame was a gift for photos: from the back of the aisle it outlined the couple against the green valley and the hills, so the setting did half the work.
Amy and Nathan held hands under the frame and grinned their way through the vows. The canopy kept the light soft and even, so we could work along the edges of the chairs and catch reactions without anyone squinting: an older guest laughing, a loved one with her hand on her heart, a toddler on a lap. A young girl in a flower crown stood up and read into the microphone, perfectly composed. The register was signed at a timber table with a bouquet beside it, and then Amy and Nathan walked back up the aisle through a cloud of bubbles.
Family photos came next along the post and rail fence, with the dam and a long hedge behind, and then the wedding party crowded around the blue Kombi, now wearing a Just Married sign. After that we went looking for texture. The bridesmaids threw petals in front of a tall clipped hedge, and Nathan and the groomsmen stood before the old homestead with its two brick chimneys, where a young lad perched on Nathan’s knee and kissed his cheek. The bridesmaids lifted their bouquets against the weathered tin of an old shed. Rusty iron and grey timber suit pale colours: plenty of character, and nothing steals focus from faces.
For our Payne’s Rise wedding photos of the two of them, we walked into the vines. The sky stayed cloudy, which we love for portraits: the cloud acts like an enormous softbox, so skin stays smooth and white gowns hold their detail. Nathan and Amy walked hand in hand between the rows, stopped for a kiss with the leaves closing in on both sides, and laughed while Nathan wrapped his arms around her from behind. We used a long lens from down the row, which compresses the vines into a wall of green and keeps the couple the only bright thing in the frame.
Inside, the details were all Amy and Nathan: a big station clock above a table of honey jar favours with a hand-painted sign about bee-ing so sweet, a chalkboard inviting guests to add to their bucket list, and a pale blue picture frame prop that everyone queued up for. Friends squeezed together for photos at the long tables. When the speeches began, her dad and a groomsman spoke beside the clock, Amy said a few words too, the room cheered and clapped along, and then the two of them cut a semi-naked cake decorated with flowers, standing on a wine barrel, with a kiss for good measure.
After dark the dance floor in front of the rustic stage shed came alive under strings of festoon lights, with a live duo playing guitars on the stage. A little girl in a flower crown twirled across the floor before anyone else, then Amy and Nathan had their first dance. Nathan danced with a loved one, Amy danced with her dad, and soon everyone was on the floor. The night ended with sparklers in the garden and Amy and Nathan cuddled up beside the fire pit. We stepped well back for our last frame: the whole property glowing in the dark.
Amy arrived in the pale blue Kombi on the gravel drive beside the old timber shed, and walked down a grass aisle under huge old trees to the dreamcatcher frame, with the vines and the hills behind it. After the bubbles, family groups lined up along the rail fence by the dam, the wedding party crowded round the Kombi, and we worked the homestead chimneys, the clipped hedge and the tin shed before heading into the vines. Speeches happened under the station clock inside, and the night ended at the stage shed and the fire pit.
Soft cloud sat over the Yarra Valley all day, with mist hanging on the hills behind the ceremony and a few raindrops on the Kombi windows along the way. For a bride in white lace that is close to perfect: no harsh shadows, no squinting, and the greens of the vines and hedges stay rich. Rain had left the dance floor wet after dark, and we loved it, because a damp floor reflects the festoon lights and gives every twirl a glowing pool underneath.
The dreamcatcher frame was a gift from the side as well as the back: shooting through the soft white fringes gave us a dreamy foreground for the vows. The towering rusty walls of the tin shed made a bold, simple backdrop for Amy on her own. The homestead chimneys and climbing roses suited the groomsmen, and the tall clipped hedge gave the bridesmaids a clean green wall for the petal toss. Down the vine rows, the leaves closed in around the couple and kept their portraits wonderfully private.
Make your transport earn its keep. The Kombi appeared again and again, from the arrival to the wedding party frames to the Just Married sign, and it ties the whole gallery together. If little ones are coming, a picnic rug at the front of the ceremony with some wooden blocks keeps them happy and close, and their faces became some of our favourite reactions. Plan sparklers for once the dancing is in full swing, when the guests are already outside and gathered near the stage.