Colour, angles and a great loop on Acton Peninsula, with Lake Burley Griffin at the door
The National Museum of Australia sits on Acton Peninsula, on the shore of Lake Burley Griffin in the centre of Canberra. It opened in March 2001 to a design by Howard Raggatt that avoids anything like a conventional museum: anodised aluminium panels, unexpected angles, bold colour, and the big loop at the forecourt that lines up with the Uluru axis of Walter Burley Griffin’s city plan. The Garden of Australian Dreams, a landscape built from maps, sits inside the complex.
Veri photographed Trish and Chris’s portraits here between their ceremony at St Mark Coptic Orthodox Church in Kaleen and the reception at the Royal Hotel in Queanbeyan. The museum also hosts weddings itself, in the Gandel Atrium, the Peninsula Room and outside on the lakeside deck and amphitheatre, with catering run in-house.
Seven small things that make a real difference on the day — learned across hundreds of weddings. None of them involve practising poses.
In motion, unposed · FR 15AYou don't need to perform or worry about what you look like. The best photos come from real moments: a glance, a laugh, a shared breath. Let go a little — we'll guide when needed, and the best unfolds naturally.
A little breathing room between getting ready, the ceremony and couple portraits makes all the difference. It gives us space for spontaneous shots — and gives you time to soak it all in.
A quiet lane, an open field, a textured wall — we love meaningful or interesting spots. Trust us to find great light, but if you've got a place you love, let's work it in.
Phones can distract from the emotion (and your photos). Asking guests to be fully present makes for cleaner frames and a more heartfelt atmosphere.
Clutter-free rooms with natural light are a photographer's dream, and calm energy in the morning sets the tone for the day. Keep the space tidy — or assign a friend to do a quick sweep before we arrive.
Especially during portraits — hydration and a little sugar go a long way in keeping energy and moods high.
We've worked at hundreds of weddings and we're here to make you look and feel amazing. Trust us with the light, the angles, the pace — we've got you.
The forecourt and the loop are graphic: strong colour, hard edges and long shadows, so a couple in white and black reads clearly against them, and I shoot wide to keep the architecture in the frame. The lake edge and the deck give the softer, quieter pictures, especially in the last hour of light. Canberra winters are cold and bright, which suits the building; summer afternoons are harsh, so I move to the shaded sides. The gallery below is Trish and Chris’s Canberra wedding, with their portraits at the museum.