
Avalon Castle · 1 Flora Close, Cockatoo VIC · Melbourne
Garden Wedding · Mountain Wedding · Rainforest Wedding · Region: VIC - Dandenong Ranges · City: Melbourne · Venue: Avalon Castle
A black dog trotting along the aisle, two brides meeting under a timber arbour among the gums, and a fountain glowing blue after dark. Katherine and Lucy’s wedding at Avalon Castle in Cockatoo had all of it, high in the Dandenong Ranges on a bright summer afternoon. We followed them from a toast with cans by the window to portraits on an arched balcony, a reception under a crystal chandelier and a last kiss in the night air, and we loved every minute.






















































































Getting ready at home and in the castle’s honeymoon cottage · Ceremony on the deck under the gums · Every guest on the castle lawn · Forest, balcony and fountain portraits · Reception under the chandelier · Night portraits by the lit fountain
Lucy’s day began at home, with her makeup being finished and an old black dog with a grey muzzle leaning in for a cuddle. We like to start with whoever drops by, so we lined up loved ones one after another against the vertical blinds. Light coming through blinds is softer than it looks: it wraps around faces and stops a white lace bodice from blowing out. Then the bridesmaids in burgundy, plus a member of the bridal party in braces and a bow tie, raised their cans and clinked them with Lucy.
Between the hugs, Lucy found a quiet minute. She fiddled with a stem in her bouquet of burgundy, blush and white roses with ferns, and we came in close so the lace and the petals shared the frame. A young girl in a black dress wrapped her arms around her, and a bridesmaid with bright pink hair squeezed in for a photo of their own. For the last frame here we turned Lucy side-on and stepped back against a plain white wall. A clean background is the simplest way to make a lace gown read clearly.
Over at Avalon Castle, Katherine was getting ready in the honeymoon cottage, a dark-timbered room with a carved four-poster bed and lace-covered side tables. She sat at the end of the bed in a white satin robe while the room settled around her. Then the robes came together: her bridesmaids in pink and lilac satin and one of her party in braces and a bow tie, all leaning in around her with glasses raised. Rooms like this are full of character, so we shoot wide and low to keep those carved bedposts in the frame.
The gown went on, and a bridesmaid knelt to fan out the skirt while a giant confetti balloon floated behind them. The low back showed off Katherine’s tattoos and a long line of buttons, so we turned her towards the open cottage door and let the daylight run down her back. Right on cue, a black dog wandered in through that same doorway. Outside, a timber deck screened by tall bamboo gave us shade and a green wall for photos with each bridesmaid. One quiet frame by the window we kept in black and white.
Late in the afternoon, Lucy’s dad walked her out from the castle’s red arched doors and across the lawn, a wide frame that takes in the whole ivy-covered façade. On the deck under the gums, a bridesmaid led the dog along the boards, tongue out and loving the attention. Then Katherine’s dad brought her in past an old wagon-wheel cart. They met under a timber arbour and held both hands. We worked from the side aisle and the back rows, catching guests holding hands, smiling behind sunglasses and leaning in to hear every word.
At the end of the ceremony both brides threw their arms in the air under the arbour, with the bridesmaids cheering on either side. Then we gathered everyone for the photo Katherine and Lucy had asked for: every guest on the lawn in front of the castle, waving. It is a favourite among our Avalon Castle wedding photos because the ivy and the turrets fill the background so well. For a group that size we stand well back and go wide. Family groups followed by the fountain and a weeping tree, including two little boys in matching bow ties.
The bridal party lined up in front of a stand of tall gums: bridesmaids in burgundy halter dresses, a man in braces and a bow tie at each end, and the dog wandering through the middle. It was never going to sit still, so we stopped asking and photographed it anyway. For a calmer frame, Katherine and Lucy sat on a timber bench under an iron arch with the dog between them, now wearing a burgundy bow tie of its own. Pets at weddings photograph best with a handler close by and a few treats in a pocket.
Then it was just the two of them. A few steps from the lawn the gums close in, and their tall, straight trunks look like deep forest. The light under there is broken and soft, ideal for full-length frames with long trains spread over the leaf litter. Inside the castle we found an arched doorway onto a balcony, a suit of armour standing guard beside it and the gardens falling away below. Backlit by the arch, they leaned in for a kiss. As the sun dropped we walked them past the fountain in warm, low light, then finished at the ivy tower.
The reception room had a crystal chandelier, a wrought-iron mezzanine and a parquet floor. Katherine and Lucy came in with their joined hands in the air and the guests already clapping. At the bridal table a floral hoop with their names hung beside a diamond-paned window. Their first dance drew everyone to the edge of the floor, and we kept one close frame in black and white. After dark we took them back outside, where the fountain glowed blue and violet, and finished with a kiss against a curling iron balustrade, rim-lit from behind.
Katherine dressed in the honeymoon cottage on the grounds while Lucy arrived from home, which let the two brides make separate entrances to the same arbour. Lucy came out through the red arched doors and across the lawn, and Katherine came along the deck past the old wagon-wheel cart. After the vows everybody spilled onto the lawn for the big group, families moved to the fountain and weeping tree, and then we slipped into the gums with the bridal party before the reception began.
Their ceremony fell late on a bright summer afternoon, and the canopy over the deck kept the arbour in open shade while the lawn in front of the castle stayed sunny. That contrast was useful: the shaded deck gave even skin tones through the vows, and the bright lawn made the crowd shot crisp and colourful. As the sun dropped behind the trees we chased it, using the flare through the forest for a kiss on the stone path and warm side light for the stroll past the fountain.
Inside the cottage, the open timber door was the best light in the room, and it ran beautifully down Katherine’s low back and tattoos. The bamboo screening on the deck outside gave us a green wall for one-on-one frames with each bridesmaid. In the forest, the straight trunks and low ferns let both trains spread out without competing. Our favourite indoor frame was the balcony doorway: with the brides just inside and the bright gardens behind, the arch outlines them and the armour adds a wink of character.
Two brides with two walks need two clear routes, so decide early which entrance suits each family and we will place ourselves to cover both. If you want every guest in one frame, call it the moment the ceremony ends, before anyone drifts off for a drink. Keep a short window free after dark for the fountain once its lights come on. The blue and violet glow gives you a completely different set of portraits from the daylight ones, and it takes only a few minutes away from the party.