
Cherbon Waters · 121 Cherbon St, Burbank QLD · Brisbane
Garden Wedding · Waterside Wedding · City: Brisbane · Venue: Cherbon Waters
Five shades of blue on the bridesmaids, a ring bearer in sunglasses strolling down the garden path and a veil that took off across the lawn above the water. Rayane and Arthur’s Cherbon Waters wedding filled a summer afternoon in Burbank on Brisbane’s southside, from vows in the white gazebo to portraits on a little timber bridge, then a kiss under the greenery arch of the marquee as the reception carried on behind them. We loved every minute.














































































































Getting ready at home · Bridal walkway to the gazebo · Vows in the white gazebo · Family groups above the reservoir · Bridge and garden portraits · Kiss at the marquee arch
Arthur’s morning started at home with his jacket hanging in the window and the cufflinks going in. A groomsman stepped in to do up his waistcoat while Arthur grinned straight at us. We took him outside into the garden for open shade, where an older loved one threw an arm around him and the hugs started. The groomsmen piled onto the front steps around him, and then, with no warning at all, five of them hoisted Arthur up flat across their arms on the lawn. We always keep a wide lens ready around groomsmen, because the best frames happen before anyone asks.
Over at Rayane’s, the gown hung against a sheer curtain, all lace and tulle, and we borrowed her perfume bottle as a stand for the rings. Then we moved in close for the last touch of lip gloss. A loved one in navy fanned the veil out behind her, and two more stepped in beside her for a proud frame. The sheer curtains turned the window into one giant soft light, so we stood Rayane side-on to it: the lace on her shoulders and her pinned-up hair came alive, and one quiet profile looked just as good in black and white.
At the venue, Arthur and his family gathered under a white pergola draped in vines, then the ceremony began with a walk. The bridal party paired up and came down the garden path between clipped round shrubs, the bridesmaids in five different blues on the arms of the groomsmen, one of whom carried a baby in his free arm. Then Rayane came through the trees on her dad’s arm, her veil drifting behind her past red bromeliads and tall gums. We stood low at the end of the path so the round hedges led the eye straight to them.
The ceremony sat inside the white gazebo, open on every side, with the reservoir glinting through the railings. Arthur waited with his groomsmen, one still cradling the baby, and the bridesmaids lined up opposite with their white rose bouquets. We moved around the edge of the gazebo for faces: an older guest beaming in the front row, a woman in navy smiling over her bouquet, a whole row of guests clapping. A covered ceremony in the middle of a Brisbane summer afternoon is a gift, because nobody squints and the bright water behind them stays part of the picture.
The ring bearer stole the show: dark sunglasses, light blue braces, a bow tie and a stroll down the path as if he owned the place. Rayane rested her hand over Arthur’s on the certificate so both new rings showed. Then they walked out of the gazebo and stopped on the garden path for a kiss, the white gazebo framed between two tall conifers behind them. Straight after, all of their guests gathered on the lawn above the water for one big wave, with a huge old gum tree on one side and the reservoir stretching away behind.
We kept the family groups on that lawn, with the reservoir and the low line of bush on the far shore giving every frame the same calm backdrop. Groups went quickly: family and loved ones, then the whole bridal party in one long line. Rayane took a moment with each bridesmaid on her own, which gave us five shades of blue and five different hugs. Then the groomsmen stood around her and she crouched down in the middle of her skirt, laughing. For Cherbon Waters wedding photos this lawn does the heavy lifting, because the water fills the background without any effort.
Portraits started right there. A breeze off the water caught Rayane’s long veil as Arthur pulled her in, and we fired off a quick burst while it streamed out sideways. Then we walked them down to the little timber bridge below the gazebo, where red foliage and palms crowd in on both sides. Bridges are great for portraits: the railings lead the eye straight to the couple, and the raised boards lift them slightly above the garden. With the gazebo behind them, Rayane threw her veil out to the side and it hung in the air just long enough.
With about half an hour set aside for portraits before the reception, we kept moving. A tight frame of Arthur looking down at Rayane through the edge of her veil, a kiss among the rounded shrubs, then the two of them walking hand in hand straight at us, both cracking up. For one frame we stepped right back so they were small on the lawn with the whole reservoir spread out behind them: in a big landscape, a small couple tells the story better. Arthur finished by spinning Rayane on the grass, her skirt flaring out wide.
Guests moved into the marquee for the reception, and the speeches started almost as soon as Rayane and Arthur walked in. They skipped a first dance, so after dark we found our own quiet moment for them at the marquee entrance, an arch thick with greenery. With the warm lights and the tables glowing inside, it made a perfect frame. We stood them in the doorway, stepped back into the dark and let the room light them from behind. It became one of our favourite frames of the day: a soft kiss, with the whole party carrying on behind them.
Rayane and Arthur used the grounds as one easy loop. Arthur and his family waited under the white pergola draped in vines, the bridal party came down the walkway between the clipped round shrubs, and Rayane followed on her dad’s arm through the trees. The vows were in the white gazebo, and straight afterwards everyone stepped onto the lawn above the reservoir for the big group wave and the family photos. Portraits took us down to the little timber bridge and back through the gardens, and the evening ended inside the marquee, with a kiss in the greenery arch at its entrance.
It was a bright summer afternoon, so the gazebo roof was the hero of the ceremony: everyone underneath stayed in even shade while the water outside sparkled through the railings. Out on the lawn the sun was still strong, so we kept the family groups moving. A breeze came off the water just as portraits began, which is why Rayane’s veil kept taking flight. As the sun dropped behind the gums we finished with a dip on the lawn in warm backlight, then waited for darkness so the marquee could light the arch from inside.
For the kiss after the ceremony, we placed Rayane and Arthur on the garden path so the gazebo sat neatly between two tall conifers behind them. The little timber bridge was our favourite portrait spot, with green railings, palms and red foliage packed in on both sides. Back on the lawn, a few long frames with the couple tiny against the water gave the gallery breathing room between the close ones. After dark, the greenery arch at the marquee entrance needed nothing from us but patience, because the warm room behind did all the lighting.
Choose a veil length you are happy to see flying, because the lawn above the water catches every gust and it can give you some of the most joyful frames of the day. Ask your bridesmaids to keep their bouquets on the lawn after the vows, since quick portraits with each of them fit in easily there. If you are skipping a first dance, as Rayane and Arthur did, set aside a few minutes after dark for the marquee entrance. And keep cold water handy for the bridal party on a sunny afternoon.