
Curzon Hall · 53 Agincourt Rd, Marsfield NSW · Sydney
Garden Wedding · Heritage & Historic Venue Wedding · City: Sydney · Venue: Curzon Hall
A groomsman flinging rose petals down a red carpet aisle, a white gazebo crowned with orange and blue flowers, and two grooms walking down the sandstone steps side by side. Joshua and Matthew’s Curzon Hall wedding in Marsfield, in Sydney’s north-west, was all burnt orange, powder blue and navy against old sandstone. We were with them from the garden vows to the portraits among the columns and their big entrance into the reception, and we loved every minute.

































































































































Ceremony in the Enchanted Garden · Signing under the white gazebo · Family groups at the gazebo · Wedding party below the tower · Portraits among the columns and balconies · Entrance to the reception
The Enchanted Garden was ready before anyone sat down: white chairs either side of a red carpet aisle, and a white gazebo at the end with a burst of orange and blue flowers across its roof. Then a groomsman in a red bow tie came down the aisle flinging rose petals with a full theatrical lunge, and the guests lost it. We shot him low and wide so the sandstone arches of the mansion filled the frame behind him. The bridesmaids followed in burnt orange and powder blue, coming down the old sandstone steps with white bouquets.
Joshua and Matthew walked in together, side by side down the sandstone staircase, with petals scattered on every step. One wore a navy three-piece with an orange tie, the other a brighter blue suit, and both had white roses on their lapels. We stood at the foot of the stairs with a longer lens so the steps and the stone balustrades framed them like a doorway. In the front rows a loved one burst out laughing as they passed, and that frame is one of our favourites from the whole ceremony.
Under the gazebo they took turns at the microphone, the groom in the three-piece speaking with a white rose on his lapel and the bridesmaids in orange just behind him. It was a grey winter afternoon, and for a garden ceremony that is a quiet gift: soft, even light with no squinting and no hard shadows across faces. We worked from both sides of the aisle so we could catch each groom’s face while the other spoke, plus the guests leaning in from the white chairs.
The signing table sat right under the gazebo, and when the paperwork was done Joshua and Matthew held their marriage certificate up between them with the widest grins of the day. Then they stepped onto the red carpet for the kiss, petals at their feet and the wedding party clapping beside the gazebo. We like to stay low and central for the walk back up the aisle, because it lines up the couple, the carpet and the flowered gazebo in one clean frame. They walked out hand in hand, laughing at everyone cheering.
Before anyone drifted off to drinks, we gathered the whole crowd around the garden for one big group photo. For a guest list this size we climbed up beside an old lamp post on the sandstone balustrade, so every face could see the camera and the white gazebo still showed at the back. Then came the family and friends groups in front of the gazebo, one after another on the red carpet. A little planning goes a long way here: a written list of groups and one loud helper keeps it moving.
The group photos were anything but stiff. Guests turned up in orange scarves, orange jackets and one bright orange suit, so every frame picked up the wedding colours without anyone trying. An older guest shared a joke beside the gazebo that had one of the grooms grinning, and a guest in navy satin pointed at something across the garden with her mouth wide open while one of the grooms laughed beside her. We always keep shooting between the posed frames, because the real reactions arrive the second people relax.
For the wedding party we walked around to the front of the mansion, where the sandstone tower rises above two storeys of arched loggias and a fountain sits in a ring of clipped hedges. We stepped right back and went wide so the whole facade stood over the group: three bridesmaids in burnt orange, two in powder blue and the groomsmen in blue between them. Then we split them up, the orange side with the red bow tie in the middle and the blue side together, so each half had its own colour story.
Portraits started on the terracotta path with a heel pop and a hand hold, then a slow walk past the hedges with the arches behind. Curzon Hall wedding photos have a secret weapon in the Garden Chateau, a ring of sandstone columns under an iron canopy. We stood Joshua and Matthew between the pillars, leaning back and laughing, and kept one frame in black and white because the stone and the dark suits looked timeless that way. The closest frame of the day happened there too: nose to nose, framed by two pale columns.
We finished on the verandahs as the winter light faded. They leant on the glass balustrade by a sandstone doorway, rested their arms on the old stone railing, and stood with arms around each other looking out over the lawn. On the patterned tiles they sat together on a timber bench. As dusk fell the lights came on inside the arches and turned the stone gold behind them, so we moved in close for the warmest portraits of the day. Then it was hand in hand through the doors to the reception, one groom waving to the cheering tables.
Joshua and Matthew’s day stayed on the grounds from start to finish. They came down the sandstone staircase into the Enchanted Garden for the ceremony and signing under the white gazebo, and the crowd photo and family groups followed straight away in the same garden. The wedding party then moved round to the front of the mansion by the fountain, portraits continued at the Garden Chateau and along the verandahs, and the evening opened with the two of them walking through the doors to their reception.
The afternoon was grey and wintry, and the cloud kept the light soft through the ceremony and the long run of groups. As portraits moved up to the verandahs the daylight faded quickly, and that was our cue: the lamps inside the arches and the chandeliers in the reception windows began to glow, turning the sandstone warm and gold behind the grooms. A garden lamp post lit up along the path as well. Those last minutes between daylight and dark gave the gallery its warmest frames.
Navy and bright blue suits look rich against pale sandstone, so we kept stone close behind them all through the portraits. Between the columns of the Garden Chateau the nearest pillars blurred into soft frames, and leaning on the column bases gave them relaxed, easy poses. On the verandah the glass balustrade let the lit windows show through, while the worn stone railing and the timber bench on the patterned tiles gave us quieter seated moments. The tiered fountain at the front made a gentle backdrop for a forehead to forehead embrace.
A strong wedding colour pays off when guests pick it up; the orange scarves and jackets here tied every family group together. Ask your wedding party to bring some energy to the front steps, where bouquet throws and mock shock reactions gave us the most fun frames of the afternoon. Keep a little time free for the moment the lights come on at dusk, even with dinner waiting. And make your entrance through the reception doors a proper one, because cheering tables are a joyful last frame.