
Immerse Winery · Dixons Creek VIC · Melbourne
Garden Wedding · Winery & Vineyard Wedding · Region: VIC - Yarra Valley · City: Melbourne · Venue: Immerse Winery
A dad reaching for a tissue the moment he saw his daughter, a long satin train sweeping across a stone chapel floor and family photos beneath a tree glowing orange and red. Milica and Zlate’s wedding at Immerse Winery in Dixons Creek kept the whole day on one Yarra Valley estate, from a chapel full of loved ones to a sparkling second dress, a lift on the dance floor and a slow dance under festoon lights. We loved every minute of it.







































































































Getting ready at Immerse · Vineyard Chapel ceremony · Family groups under the orange tree · Portraits by the chapel and the bare vines · Second dress and first dance · Night portrait at the Immerse sign
We started with Zlate in his room at Immerse, fastening his cufflinks above a chunky silver watch and grinning straight down the lens before the jacket was even on. A black shawl-collar tuxedo with a matching waistcoat and bow tie suited his mood: relaxed, a little cheeky and very happy. We kept one frame in black and white, Zlate sitting side on in an armchair with the grey wall falling away behind him. In the rest we let the soft window light do the work and kept the background plain, so the satin lapels and that grin did all the talking.
Out on the veranda, two loved ones came to see him: an older man in a checked blue suit and a woman in a sequinned silver dress, who pulled Zlate in for a kiss on the cheek. Behind them, a magnolia and a line of trees turning red and orange framed the doorway beautifully. A friend in a dark suit joined Zlate for a quick portrait in the same spot. A little later the woman in silver sequins peeked around Milica’s door with an older man at her shoulder, and we caught both of their faces lighting up through the gap.
Inside, Milica was ready in a fitted, long-sleeved white gown with a sweeping train, holding a round posy of white flowers. When her dad walked in and saw her, he reached for a tissue straight away. We framed that moment over Milica’s shoulder, with her reflection standing in a tall timber mirror beside him, so both of their faces sit in the one picture. Then the room filled with loved ones in deep blue and black, and a woman in a teal satin dress laughed with Milica as if nobody else was there at all.
Before they left the room, her dad kissed the top of Milica’s head, then covered his mouth with his hand as if the words were too much. He walked her into the Vineyard Chapel side by side, down the stone floor between timber benches lined with guests, her train spreading out behind her like poured cream. We stood back near the door for that frame, because the long view down the aisle shows the train, the chandeliers and the tall windows all at once. At the front, Zlate wrapped her dad in a hug before Milica took her place beside him.
The chapel was full. An older guest balanced two little ones on his lap, rows of family filled the benches and loved ones in navy and black watched from the front with their hands folded. We moved quietly along the side wall, where the arched windows give soft, even light from both directions, so nobody needs a flash. Zlate slipped the ring onto Milica’s finger, and both of them were beaming. Afterwards they signed the register together at a timber table, with two loved ones in dark suits standing proudly behind them and grinning for the photo.
Outside, every guest crowded onto the lawn in front of the chapel for one big photo, with a tree of blazing orange on either side. Then we moved the family groups beneath a tree in full colour beside the chapel wall, its leaves at their very brightest. Older guests stepped in first, one leaning on a timber walking stick, followed by little ones in tiny coats and a toddler in a red dress. On a short, grey afternoon the light fades early, so we kept the groups moving quickly and saved our time for the portraits still to come.
For portraits we walked Milica and Zlate along the side of the Vineyard Chapel, where the arched windows were already glowing gold from the lights inside. We shot wide first, so the white weatherboards and warm windows framed them, then let them play. Zlate raised the bouquet in triumph, swept Milica up off her feet and spun her on the grass while her gown and long sleeves flew out. She gathered her skirt and walked beside him, laughing. Asking a couple to walk and talk will always beat asking them to hold a pose.
Our favourite Immerse Winery wedding photos of the evening came from the edge of the vineyard. The vines had dropped most of their leaves, leaving neat rows of rust and gold, and Milica walked through them on her own with the bouquet low at her side. Zlate took his turn among the posts with his hands in his pockets. Then, under the last bright tree, he wrapped his arms around her waist and she leant down into his hug, the leaves glowing behind them. Bare vines are great for portraits: they give lines and texture without hiding anyone.
Milica changed into a second gown for the reception, a sparkling beaded dress that caught every light in the room. She high-fived a laughing guest at one table on her way round, and for the first dance Zlate lifted her high while guests lined the floor with their phones up. Later the dancing turned into a line of friends arm in arm, a little one in a red dress was carried onto the floor, and Milica draped her arms around her dad at his table. We finished outside at the Immerse sign, under festoon lights, cheek to cheek.
Milica and Zlate kept the whole day within a short walk. Both got ready in suites on the estate, with Zlate greeting family on a veranda backed by red and orange trees. The ceremony filled the Vineyard Chapel, and the moment it ended every guest stepped straight out onto the lawn in front. The family groups moved only a few steps, to the blazing tree beside the chapel wall, and the couple portraits ran along that same wall and out to the edge of the vines before the reception.
This was a cool, grey afternoon in full autumn, and the colour did a lot of the work. The orange trees glowed against the cloud, the vines had turned rust and gold and dropped most of their leaves, and the light faded early. By the time we reached the portraits, the lamps inside the chapel were on and the arched windows shone gold along the white wall. That warm glow against a cool sky is a combination we look for in the colder months, and here it came to us.
We picked the brightest tree on the lawn for the family groups because its colour sat right behind every head. For the couple, the lit windows gave a warm background for the lifts and spins, and the bare vine rows gave Milica and Zlate clean lines to walk through on their own. A pair of golden trees on the lawn made a soft frame for a forehead kiss, and after dark the Immerse sign under festoon lights gave them a final cheek to cheek moment.
Light goes quickly on an autumn afternoon in the valley, so a short, well ordered list of groups matters more than usual. Milica and Zlate had a lot of family to include, and little ones in coats, so we kept each group moving and let people step in and out without a long wait. Warm coats for children and older guests make those minutes on the lawn far happier. If you plan a second dress, change before the reception, as Milica did, so the portraits stay in the first gown.