
Immerse Winery · Dixons Creek VIC · Melbourne
Garden Wedding · Winery & Vineyard Wedding · Region: VIC - Yarra Valley · City: Melbourne · Venue: Immerse Winery
A letter read in a tufted armchair, a dad pressing a handkerchief to his eyes on a timber bench and petals raining over the whole crowd in front of a tall glass gable. Vanessa and Michael’s wedding at Immerse Winery in Dixons Creek, in the Yarra Valley, moved from the Garden Chapel out into the vines, past a swing among the roses and onto a packed dance floor that night. We were there for every hug, every happy tear and every cheer.


























































































Getting ready at Immerse · Garden Chapel ceremony · Petal toss at the Vineyard Chapel · Vines, paddock and rose path portraits · Swing on the garden deck · First dance and the Immerse sign at night
Our day at Immerse began with the small things: the invitation propped against a bunch of red protea, pale garden roses and a white orchid, photographed before anyone could move it. Michael and his groomsman stood among the rose bushes by the veranda in matching navy suits. Back inside, Michael opened a card made for the wedding day, then settled into a tufted armchair with a handwritten letter and a grin he couldn’t hide. We kept that frame in black and white, the window glowing behind him. Outside again, loved ones gathered against the grey weatherboards for the first group photo of the day.
Vanessa’s room had timber floors and big, soft window light, which is all we ever ask for. She laughed through a final touch of lipstick, and we moved in close on her hands, her ring and the lace edge of her robe. Out on the deck she stood between two loved ones in pink robes and white slippers. Then the gown went on: a loved one in a bright floral dress smoothed it at her shoulders while her bridesmaid, in burgundy, knelt to fasten her shoes. For that frame we stay low and to one side, so the window light falls across the lace.
Then came a moment we had been waiting for. Vanessa’s dad walked in through the front door in a dark suit and floral tie, and we framed him in the doorway with her bouquet soft in the foreground, so you can feel exactly where she was standing. He saw her for the first time and his whole face softened. We gave them a minute before the three of them, Vanessa between her dad and the loved one in the floral dress, lined up for a portrait by the window. First looks with family are worth planning: five quiet minutes before the ceremony is plenty.
The ceremony was in the Garden Chapel, an open-sided pavilion under a pitched roof of weathered timber boards, with trees and garden just beyond its edges. Vanessa’s dad walked her down the pale stone aisle past rows of timber benches, her veil trailing far behind her. Tall burgundy and blush florals framed the front, and a guitarist played from the side. Once he sat down, her dad pressed a handkerchief to his eyes, and we were glad we were watching. A covered chapel with open sides is kind to faces: the roof blocks harsh light from above while soft light pours in from the garden.
Vanessa and Michael held hands under the timber gable while we worked the edges of the chapel, from the back for the wide view and along the side for the guests. Older guests on the front benches watched quietly, and a row of loved ones further back burst out laughing and clapping at just the right moment. Then it was done. They came back down the aisle through a crowd of happy faces, and outside the chapel Vanessa raised her bouquet high in the air while Michael punched the sky beside her. Recessionals move fast, so we always walk backwards ahead of the couple.
Next stop was the lawn in front of the Vineyard Chapel, a white weatherboard building with one enormous window filling its gable. We gathered every guest there, and petals flew in every colour while arms went up across the front row. The tall window makes a clean, symmetrical backdrop for big groups, and the petals left on the grass dressed up every family photo that followed, with Vanessa’s train fanned out on the lawn each time. Before we left, we slipped inside the chapel, where Michael kissed her beneath the iron chandelier and her bridesmaid waved a bouquet in the air.
The vines were only a short walk away. Vanessa, Michael, her bridesmaid and his groomsman lined up between the rows, then we sent the couple wandering down the grass with her veil spilling out behind her. Some of our favourite Immerse Winery wedding photos come from shooting through the leaves: we pushed the lens right into the canopy so the foreground turned into a soft green frame around them. Michael kissed Vanessa’s forehead among the vines, and the grey sky worked in our favour, giving even, gentle light on skin and lace with no squinting at all.
Beyond the vines, an open paddock looks across rolling hills towards the edge of the valley. We gave Vanessa and Michael room to walk there and shot wide, so they read small against all that green, then came in for a single portrait of each of them. On the way back we passed a weeping tree beside a bed of lavender and a path lined with red and white roses, where Michael leant in close and made her laugh. A tight frame of their hands, her ring resting in his palm against his navy suit, rounded off the walk.
Our last stop before the reception was a swing hanging from a timber pergola on the garden deck, with roses in bloom behind it. Michael kissed Vanessa’s temple while her veil pooled across the boards. Inside, guests circled the dance floor for the first dance, and soon the whole room was in the middle of it, with Michael spinning Vanessa and hands in the air everywhere. We finished outside under festoon lights, at the Immerse Yarra Valley sign on corrugated iron between three tall urns, for a slow dance of their own.
Everything for Vanessa and Michael happened on the one estate. They got ready in rooms with timber floors and big windows, with family groups along the grey weatherboards and roses by the veranda. The ceremony was in the Garden Chapel, then everyone walked across to the lawn in front of the Vineyard Chapel for the petals and the family groups. From there we took the couple and their two attendants into the vines and the paddock, back past the rose path and the swing, and on to the reception and the sign outside at night.
A blanket of cloud sat over the valley all afternoon, and it made our job easy. The open sided Garden Chapel let gentle light in from the garden, so faces along the benches stayed even. Out by the white chapel, the overcast sky kept the lace and the white weatherboards full of detail, and in the vines nobody had to squint, even looking straight up at us. When the sky is this even we can face a couple any way we like, which frees us to choose the background first.
The tall glass gable of the Vineyard Chapel was our anchor for groups because it centres a crowd and stays clean behind every row. Inside, the iron chandelier gave us a quieter kiss. In the vines we pressed the lens into the leaves for a green blur at the edges, and the open paddock gave us scale, with the couple small under that long grey sky. The swing on the deck and the festoon lit sign made two easy closing frames close to the reception room.
Vanessa and Michael had a generous list of family combinations, and the lawn in front of the Vineyard Chapel handled it well because everyone could wait nearby on the grass. Give us the list ahead of time with the biggest groups first, so older guests can sit down sooner. For the walk out to the vines and paddock, a long veil can be gathered over one arm, which is exactly what Vanessa did, and it kept the lace off the grass and gravel.