
Lyrebird Falls · 175 Monbulk Rd, Kallista VIC · Melbourne
Garden Wedding · Mountain Wedding · Rainforest Wedding · Region: VIC - Dandenong Ranges · City: Melbourne · Venue: Lyrebird Falls
A kiss on the hand from her dad, a stained glass chapel full of cheering friends and a dip among the tree ferns. Alex and Bec got ready at home, then spent the rest of their day at Lyrebird Falls in Kallista, deep in the Dandenong Ranges, and a soft autumn sky kept every frame gentle. We were with them from the pool table where Alex got dressed to the fairy lights glowing after dark, with a reception full of friends and family in between.

































































































Getting ready at home · Ceremony in the Lyrebird Falls chapel · Confetti and groups by the gazebo · Fern gully portraits · Fairy lights after dark
Alex was buttoning his collar beside a red felt pool table when we arrived, a silver tie waiting and his hair tied back in a neat bun. Cufflinks next, then a pocket square folded into his navy jacket. His groomsmen gathered under a row of high white windows and clinked glasses, and the laughing started early. Those windows threw soft, even light across the whole group, so we could keep everyone sharp without a single lamp. Out on the timber deck, the boys squeezed together in front of tall gums for a team photo.
Bec spent a quiet moment forehead to forehead with a loved one, both still in grey robes. Then the gown went on, all lace bodice and soft tulle, and she stood by the curtains while we found the light. In a timber-lined room she turned to show her bridesmaids, who were waiting in blush and dusty-pink dresses. Out on the deck, giant tree ferns made a green wall behind them. A bridesmaid fanned out the train, two kissed Bec on the cheeks at once, and everyone was laughing.
Bec’s dad came out onto the deck in a navy suit, stood beside her for a portrait and then lifted her hand to kiss it. A loved one in a navy floral dress was right there too, beaming. We stayed back for that one, using a slightly longer lens so they could forget about us. Then came hugs from the bridesmaids and a close detail of linked arms and bouquets, with the lace of the gown between the soft pink fabrics. The colours looked like they had been picked from the same autumn garden.
The ceremony was indoors in the Lyrebird Falls chapel, a white room with a glass roof and stained glass windows. Alex waited at the front with his groomsmen, and the bridesmaids came in with bouquets of banksia, protea and peach roses. Then Bec walked in on her dad’s arm across the polished timber floor. A glass roof is a gift for a chapel ceremony: light falls from above, faces stay open, and we could shoot the aisle from the back without any harsh shadows on the couple.
Alex and Bec held hands between two tall floral installations in rust, peach and cream, and the friends in the front rows were grinning before the vows had even begun. When the kiss came, the whole chapel erupted: a loved one clapping with both hands high, friends cheering, a friend in a pink jacket leaning out of his seat to clap. Bec walked out into the hallway and raised her bouquet in the air like a trophy, and Alex pulled her in for one more kiss by the door.
Outside, the guests formed a huge crowd on the round brick courtyard beside the white gazebo, and we climbed up high to fit everyone in as confetti flew. Family groups followed on the same circle, with the dark green garden behind them. Then the wedding party, the boys sitting on a garden bench, and Alex scooping Bec up for a kiss with the groomsmen grinning around them. That courtyard works beautifully for groups: the curved brick leads the eye to the couple and the hedges keep the background calm.
A Japanese maple near the gazebo had turned gold and orange for autumn, so we walked Alex and Bec underneath it and let the colour frame them from a distance. Then they set off along a flagstone path, Bec gathering her skirt, Alex in step beside her. This is where Lyrebird Falls wedding photos shine without leaving the property: every few steps the garden changes, from bright autumn leaves to deep ferns, so a short walk gives a whole series of different backdrops.
The fern gully was our favourite stop. Tall dark trunks, a carpet of green and fronds overhead, and Bec wrapped in a white shawl against the cool air. They touched foreheads, Alex spun her around, and then he dipped her back for a kiss while she held her bouquet up high. We came in close on their hands and rings resting on the banksia and eucalyptus. Under that canopy the light stays soft even in mid-afternoon, so we shoot slightly brighter than usual to keep the greens fresh.
Later, with the reception underway inside, we stole Alex and Bec for a few minutes in the dark. A hexagon arch strung with lights stood over a white bench in the garden, and they sat close inside it, lit by the glow. Then we moved them in front of a curtain of fairy lights, Bec leaning into Alex with the shawl over her shoulders. Small points of light like these turn into soft circles behind a couple, so a five minute break between courses is all it takes.
Alex and Bec got ready at home and then spent the rest of the day at Lyrebird Falls without getting back in a car. The vows were inside the chapel, between two tall floral installations in rust, peach and cream. From there everyone walked out through the hallway into the garden, where confetti flew by the white gazebo and the crowd filled the round brick courtyard. Groups, the golden maple, the flagstone path and the fern gully followed one after another, each only a few steps from the last.
Inside the chapel the light came down through the glass roof, which kept faces open and gave the stained glass windows a gentle glow behind the couple. Outside, a pale autumn sky meant the courtyard groups were evenly lit, with no squinting in the front row. In the fern gully the canopy took the light down another step, so Bec’s white shawl and Alex’s navy suit stood out cleanly against all that green. After dark, the only light we needed came from the garden itself.
We shot the confetti and the big crowd from up high so the curve of the brick courtyard pulled every eye towards Alex and Bec. The golden maple near the gazebo looked best from a little distance, with the couple small under the leaves. On the grassy track in the gully we kept them moving: a spin, a forehead touch, Alex kissing Bec from behind beside the shaggy fern trunks. The lit hexagon arch and its white bench made the night portraits feel like a little room of their own.
A chapel ceremony does not mean missing the garden. Plan the confetti for the moment you step outside, while everyone is still buzzing, and keep the groups moving on the courtyard so there is time for a slow walk afterwards. Pack something warm and pale for the bride, as Bec did, because a white wrap photographs beautifully in the gully and keeps the chill off later. Then let us borrow you for a few minutes after dark; the arch and the curtain of fairy lights are right there.