
Pullman Melbourne On the Park · 192 Wellington Parade, East Melbourne VIC · Melbourne
Ballroom Wedding · Urban City Wedding · Region: VIC - Melbourne CBD · City: Melbourne · Venues: Fitzroy Gardens · Pullman Melbourne On the Park
A buttonhole pinned in the window light, vows read into a microphone in front of tall glass, and a whole crowd cheering with their arms in the air. Naomi and Hector’s wedding at Pullman Melbourne On the Park in East Melbourne kept everything close: the ceremony and reception under one roof, and the elm avenues of Fitzroy Gardens just across the road for portraits. We were with them from the first laugh in the hotel room to the last kiss under the city skyline.
























































Getting ready at The Langham · Vows by the windows at the Pullman · Bubbles in the wedding car · Family groups in Fitzroy Gardens · Elm avenue and skyline portraits · Reception at the Pullman
Our day started in a hotel room at The Langham in Southbank, heavy curtains pulled back and soft summer light pouring through the sheers. A loved one in a mustard dress stood toe to toe with Hector and pinned a blush flower buttonhole onto his navy lapel while he grinned down at her handiwork. We stood side-on to the window so the light wrapped around them both instead of flattening their faces. Then Hector took a seat by the glass with a drink in hand, open collar, no tie, the picture of a relaxed groom.
Naomi’s laugh filled the room the moment the strapless lace gown was on. She threw her arms wide while the loved one in mustard and another in a floral dress cracked up beside her. A floral vine sat in her short hair, she fastened her earrings at the window, and the loved one in florals knelt to do up her shoes. Then came the bouquet: pink proteas, big white blooms and long burgundy ribbons. We kept Naomi against the bright window so the lace glowed at the edges, then grabbed easy frames of her arm in arm with each of the two women.
Before the ceremony we found a grand double staircase with gilded rails curling down both sides and a domed light glowing above. We put Naomi and Hector a few steps up, hand in hand and looking back at us, and let her train spill down the dark carpeted stairs towards the lens. Staircases are one of our favourite indoor spots: they lift a couple above the floor, frame them with the rails and show off a long skirt in a way a flat floor never can. Naomi couldn’t stop smiling over her shoulder.
Then it was across town to Pullman Melbourne On the Park in East Melbourne, where the guests were seated on patterned red carpet in the foyer outside the ballroom. Naomi came up the aisle arm in arm with a young man in a black suit, beaming, her bouquet ribbons swinging. At the front, beside floor-to-ceiling windows full of green treetops, he stood face to face with Hector for a moment. We stayed tight on Hector as Naomi reached him, because a groom’s reaction lasts seconds, and his came as a wide, crinkle-eyed smile.
Those windows did half our work for us. With daylight pouring in and treetops behind, every face at the front was soft and bright. Hector read his vows from a card into a microphone, and partway through Naomi doubled over laughing and leant right into him. When it was done they wrapped each other in a long hug against the glass. We turned to the chairs, where guests of every age were clapping and grinning, little ones included. For a city ceremony, ask for the front of the room to sit beside the biggest windows: it changes everything.
The register was signed at a table by the windows, two loved ones standing behind Naomi and Hector as the certificate went up for the camera. Then we gathered every guest in front of the glass for one big group photo, the front row kneeling on the carpet and everyone else packed in behind. The first frame was neat. In the next, arms shot up, fists punched the air and the whole crowd cheered. Afterwards Naomi and Hector slipped into the wedding car, all cream leather and timber trim, and clinked glasses of bubbles, grinning at each other.
Fitzroy Gardens sits right across Wellington Parade from the Pullman. Naomi and Hector strolled hand in hand down a sunny footpath and onto the lawn under the big old trees, where family and friends joined them in turn: a big group with the little ones up front, a row of men in dark suits, a burst of bright summer dresses, a boy in a waistcoat and a girl in orange. On a bright day we always put groups in the open shade under the canopy, so nobody squints and the light stays even across every face.
Then it was just the two of them, under a long avenue of elms with dappled light on the bark-chip path. Hector scooped Naomi up and she kissed him mid-lift, skirt flying. They danced a few steps, he twirled her under his arm, and they leant against a huge trunk, laughing. We used a longer lens down the avenue so the rows of trunks stacked up behind them and the leaves melted into soft green. Hector had a quiet moment on his own, and Naomi swished her skirt between the trees with that bouquet against the lace.
We finished out in the sun, where the gardens open up towards the city. Naomi and Hector walked across a bright lawn, stood forehead to forehead with the towers rising behind them, and shared a last kiss beside a lamppost with the skyline filling the frame. Summer afternoon light is strong, so we kept them side-on to the sun and let the buildings carry the shot. That is the joy of Pullman Melbourne On the Park wedding photos: a city skyline and a heritage garden a short walk apart. Then it was back to the Pullman, where the reception was waiting.
Naomi and Hector married in the foyer outside the ballroom, guests seated on the red patterned carpet and the front of the room set beside the floor-to-ceiling windows. The register, the big crowd photo and the first hugs all happened in that same bright space, so nobody had to move far. After a quick glass of bubbles in the wedding car, we walked the two of them down a sunny footpath and into Fitzroy Gardens across the road for family groups, the elm avenues and a skyline finish, then back to the Pullman for the reception.
Indoors, the tall glass gave us a huge, soft light source, with green treetops rather than a busy street behind the couple, so we barely had to manage it. Outside was another story: a bright summer afternoon with strong sun on the open lawns. Under the elms the light came through in dapples, so we nudged Naomi and Hector a step at a time until their faces sat in an even patch of shade. Out at the edge of the gardens we turned them side-on to the sun and let the towers take the brightness.
The glass wall in the foyer was our backdrop for the whole guest group, with children kneeling on the carpet at the front so every face stayed visible. In the gardens, the long bark path under the elms is made for movement, which is why the lift, the twirl and the slow dance all happened there. The huge mottled trunks gave them something to lean on and laugh against. Finally, the open lawn near the city side put the towers right over their shoulders, and a lamppost gave the skyline kiss a simple anchor.
Take the big group in the foyer straight after signing, and ask for a second, wilder frame: the arms-up version is the one everyone will want. Keep family groups on the first shady lawn you reach in the gardens, so older guests only walk a few steps, then send the two of you deeper into the avenues on your own. Carry the bouquet with you the whole way, because pink proteas and burgundy ribbons against all that green become the colour story of the afternoon.