
Olinda Tea House · 86A Olinda-Monbulk Rd, Olinda VIC · Melbourne
Garden Wedding · Mountain Wedding · Rainforest Wedding · Region: VIC - Dandenong Ranges · City: Melbourne · Venue: Olinda Tea House
Sunflowers tied along a timber deck, a cloud of bubbles over the first kiss and a pair of alpacas wandering up to the fence for a look at the bride. Jasmine and Ben’s wedding at Olinda Tea House kept the whole day on one leafy Dandenong Ranges property, from vows above the forest to portraits by the pagoda and the curved rammed earth wall. Then came laughter, speeches and a slow dance behind the big glass doors, and we loved being part of all of it.






























































































Arrival at the Tea House · Vows on the timber deck · Signing in the garden pavilion · Pagoda and hedge path portraits · Alpacas and the rammed earth wall · Speeches behind the glass
Our day began in the forecourt at Olinda Tea House, where Jasmine stood with her dad under tall trees, her bouquet a bright burst of sunflowers, white roses and silvery leaves. He had an arm around her and the two of them could not stop laughing, which is exactly the mood we hope for before an aisle. The bridesmaids and flower girls gathered in close, the youngest in white with little baskets on their arms. The light under the canopy was soft and even, kind to faces, so we could work anywhere without chasing shade.
The flower girls led the way past the long curved rammed earth wall with the Tea House name across it, the bridesmaids following in fuchsia and soft champagne pink. Out on the covered timber deck Ben waited in a grey three piece suit and red tie, sunflowers tied along the railings and the forest falling away behind him. Guests filled the timber chairs under the roof. Then Jasmine appeared on her dad’s arm at the top of the aisle and every head turned. We stood ahead of the procession so we could catch both the entrance and the faces watching it.
Jasmine read her vows from a card, Ben listening with a grin he could not hide, while a bridesmaid in fuchsia pressed a hand to her face. They held hands for the rest of the ceremony, then exchanged rings with the sunflowers glowing on the rail beside them. A covered deck is a lovely place to marry: the roof keeps faces in open shade while the trees behind stay bright and green. We exposed for faces and let the forest fall a little light, which keeps skin tones true and the background airy rather than heavy.
When the kiss came, Jasmine threw her arms around Ben’s neck and the deck erupted. An older guest in a tuxedo was first in to shake Ben’s hand, beaming. Then everyone crowded onto the round end of the deck for one big group frame, and we climbed up high to fit them all in, faces lifted towards the lens. As the couple kissed again in front of the crowd, guests blew bubbles that drifted across the whole scene. Bubbles are a great idea for a confetti moment: cheap, cheerful, no clean up and they catch the light beautifully.
The signing moved into a timber pavilion in the garden, with a big round archway framing the table. A groomsman and a bridesmaid joined Jasmine and Ben to sign, and we leaned in close for the details: their joined hands, the new rings and the certificate beside a sunflower. Then we stepped back so the round archway could do the framing work, with the two of them sitting side by side at the timber table and the bouquet resting on top. A structure like this gives a signing photo real character, so it is worth asking where the table will be set.
Family and group photos stayed right on the deck, with the sunflower railings and the forest canopy as a backdrop for every combination. Older family members in their finest, teenagers, little ones in bow ties and the full bridal party in fuchsia, champagne and grey all took their turn, finishing with one wide frame of the whole extended family. We like groups in a spot like this: no one has to walk anywhere, the roof edge gives open shade, and the trees behind look the same in every frame. Bring a written list of groups and a helper who knows everyone.
Portraits began at a hexagonal pagoda with a tiled roof, Jasmine seated inside in her beaded cap sleeve gown and Ben standing beside her. Inside it they leaned in, foreheads touching, and we caught the light catching her new ring as she rested a hand on his knee. Then we wandered the gravel paths between tall hedges, where we shot through the leaves to frame them with soft green blur. These are our favourite Olinda Tea House wedding photos for colour: the deep greens around them make the white gown and Ben’s red tie sing.
Along the post and wire fence Ben spun Jasmine into a twirl, and then the locals arrived: two alpacas and a miniature pony strolled up to the fence to inspect the bride. Jasmine leaned down to say hello while Ben reached over for a pat. Later, with the sun low and filtering through the trees, we caught them kissing with the alpacas grazing behind, and kept one of those frames in black and white. We finished at the rammed earth wall with the venue’s name, pink flowers in the foreground and the two of them wrapped in a quiet embrace in the warm light.
Ben took a quiet moment of his own by the deck stairs, and Jasmine took her own turn walking across the lawn. Inside, the reception room opened onto the deck through floor to ceiling glass doors. Ben and a groomsman were in fits at the table while Jasmine wrapped her arms around them both. Speeches came with the forest glowing outside the glass, an older guest laughing at every line, and the couple holding hands at the table. Then came a slow dance under warm light, foreheads together, the perfect close to a day full of smiles.
Jasmine and Ben kept every part of their day within an easy stroll. The procession came past the curved rammed earth wall and out onto the covered timber deck for the vows, then the signing moved across to the timber pavilion with its round archway. Family groups went straight back onto the deck, portraits wandered out through the pagoda, the hedge paths and the paddock fence, and the night finished in the reception room behind the tall glass doors. Nobody needed a car all day, so every spare minute went back to the guests.
Under the tall canopy the light stayed soft for most of the afternoon, which made the forecourt and the deck easy places to work. As the day went on, sun began to slip through gaps in the trees and lay bright stripes across the deck boards during the family groups, with a gentle haze over the forest behind. By the time we reached the paddock the sun was low and filtering sideways through the trunks, the warmest light of the whole day, and it suited the rammed earth wall beautifully.
For the pagoda we worked from the gravel path so the tiled roof and posts framed Jasmine seated inside, then stepped in close once Ben sat down beside her. Between the hedges we shot through the leaves, letting the nearest branches melt into a green wash at the edge of the frame. At the fence we kept low and quiet, because the alpacas and the pony came over in their own time. The little timber bridge in front of the rammed earth wall gave us one last layered frame, with branches across the foreground.
Leave the paddock fence until late, when the sun sits low behind the trees, and give the animals an unhurried few minutes rather than a quick stop. If bright stripes start crossing the deck during groups, a step back under the roof line evens out every face. A beaded or sequinned gown glows against the deep green of the hedges, so ask for a few minutes on those paths. And keep a moment for each of you alone, the way Ben took his by the deck stairs while Jasmine crossed the lawn.