
Merrimu Receptions · Murrumbeena VIC · Melbourne
Ballroom Wedding · Garden Wedding · Heritage & Historic Venue Wedding · Urban City Wedding · Region: VIC - Melbourne CBD · City: Melbourne · Venues: Carlton Gardens · Merrimu Receptions
Red-covered gift trays carried up the footpath in the rain, a bride in red and gold, then a white ball gown swirling across a wet plaza beneath the Melbourne Museum’s silver blades. Kim and Wennie’s day ran from a family morning full of umbrellas to a church of pale stone arches and portraits in Carlton Gardens, then finished in the ballroom at Merrimu Receptions in Murrumbeena with happy tears, a shoe game and a packed dance floor. We were there for every laugh.









































































































































































































































































































































Morning portraits by a hedge · Red trays in the rain at home · Ceremony under stone arches · Melbourne Museum and Royal Exhibition Building portraits · Speeches and dancing at Merrimu Receptions
The day started quietly. Before anyone dressed up, Kim and Wennie met us in casual coats beside a long clipped hedge, with two tall cypresses standing guard, and we made them small against all that green and sky. A short session like this settles nerves and gets everyone used to the camera. Back at home, the groom tied his bow tie, settled his watch at the cuff and sank into the sofa between his groomsmen, looking far calmer than they did. Home rooms are small, so we work close with a wider lens and keep a window to one side for soft light.
Two family members laid out trays draped in red and gold fringed cloth, and then the rain arrived, right on cue for the procession. The groomsmen walked up the footpath in a line, each carrying a tray, while black and bright blue umbrellas bobbed overhead. We ran ahead and shot back towards them, so the line of red led straight through the frame to the groom and his red roses. A row of young women in pastel and white silk dresses waited at the door, and the families gathered under a pergola strung with ribbons and paper pom poms.
Inside, the bride waited in a hallway in a red dress embroidered all over in gold, soft curls falling over one shoulder. A loved one fastened her earrings while she held her red roses, and another hugged her so hard they both laughed. When the groom walked in, he could not stop smiling. We kept the flash off and let the warm lamps and the red paper flowers on the wall do the work, then stepped back for the wide frames: the couple greeting family elders, drinks offered from a tray and envelopes passing from hand to hand.
Then came the change of outfit. The bride read a handwritten card in a fluffy pink robe while her ball gown hung in the window. We went outside and shot back through the orange leaves of a tree in the garden, so the gown sat in a frame of autumn colour. A layer of leaves close to the lens is one of our favourite tricks on a grey day: it adds warmth and hides a busy street. In the gown, she stood by a tall window with her pink and cream roses, then smiled out at us from the back of a white vintage car.
The church was all pale stone arches, a timber ceiling and a long red carpet. Kim and Wennie sat side by side at the front, her bouquet resting on that huge skirt, while a choir sang to one side. We worked long from the side aisle to stay out of the way and still catch faces: a beaming older guest, a little girl with flowers in her hair, two friends in blush dresses watching closely. Then the rings, the kiss at the front, and a quiet moment as they signed the register with the bouquet beside them on the white cloth.
The certificate went up for the room to see, the celebrant clapped, and the whole church joined in. As they walked back down the red carpet, the pews turned into a wall of smiles and phones. For the last frame we climbed up high at the back and shot straight down the aisle, so the arches, the warm ceiling lights and the crowd all fit around two small figures kissing at the end. A high vantage point turns a busy exit into one clean picture, so we always look for a balcony or loft in a church.
The rain eased just enough for portraits in Carlton Gardens. The Melbourne Museum’s tall sloping blades are clad in pale panels, and on an overcast afternoon they bounce soft light back onto faces like a giant reflector. The bridesmaids in long blush dresses lifted their bouquets, the groomsmen in grey strode out beside the groom, and the bride spun so her train fanned across the wet plaza, which mirrored everything. Then we walked them over to the Royal Exhibition Building, where the white façade made a calm, bright background for a kiss in the drizzle.
At Merrimu, the bridal party made their entrance under the chandeliers, and we found Kim and Wennie up on the mezzanine balcony above the staircase, small against its ironwork. They cut a tall white cake together and the room cheered. Speeches brought a big hug from the groom for an older guest, happy tears when a bridesmaid read from a little book, and laughter all along the head table. These are the Merrimu Receptions wedding photos we love most: faces lit warm by the table lights, with swagged amber curtains glowing behind.
For the first dance the bride wore a short dress embroidered in gold, and the groom swapped his jacket for braces and a white shirt. They spun under a coffered ceiling washed in purple light while everyone watched. Back in her gown, the games began: the two of them back to back on chairs, each holding up a shoe to answer questions, then a blindfolded groom feeling for his bride’s hand. The floor filled, an older couple danced cheek to cheek, and we slipped outside with Kim and Wennie for a last portrait beside a softly lit window.
Kim and Wennie reached Merrimu after a wet, happy afternoon of portraits on the plaza in Carlton Gardens, still smiling through the drizzle. Inside, the bridal party came in pair by pair under a chandelier with the staircase rising behind them. Rather than another walk in, we photographed the couple up on the mezzanine balcony from the floor below, small and central inside the ironwork. They came down and into the ballroom past chairs tied with black sashes, and the tall white cake was waiting on a mirrored table before the head table.
Speeches belong to the head table, and the warm table lights there did beautiful work on faces. We often shot through the little sparkling lights in the foreground, so each reaction sat inside a soft blur of gold, with the amber curtains glowing behind. The first dance was a different mood. The coffered ceiling was washed in purple, so we went wide from the edge of the parquet to show that colour, the guests ringing the floor and the groom twirling the bride in her short gold embroidered dress.
The shoe game is pure joy to photograph if you are in the right place. With Kim and Wennie back to back on two chairs, we stood square in front and low, so both faces and every raised shoe read clearly in one frame. Then we turned around, because the best reactions came from a round table of older guests giving thumbs up and applause. The blindfold game that followed had the bride doubled over laughing, and from there the floor filled with friends cheering the couple on late into the night.
Some of our favourite frames from this wedding were made outside in a few quiet minutes away from the party. A softly lit sash window on a dark brick wall gave just enough light for a kiss, with the long train spread wide across the ground. Nearby, a statue in a niche glowed above a still pool, lit from below, and the couple held each other close beside it. Our tip from their night: when the games end and before the late dancing starts, slip out with us while the gown still looks perfect.